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" Making a Home in Poland: "
Gil Pasternak, Marta Ziętkiewicz, Gil Pasternak, et al.
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AL
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| Record Number
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1069688
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| Doc. No
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LA113317
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| Call No
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10.1163/18718000-12340104
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| Language of Document
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English
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| Main Entry
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Gil Pasternak
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Marta Ziętkiewicz
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| Title & Author
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Making a Home in Poland: [Article] : Photographic Education and Practices in the Landkentnish Movement\ Gil Pasternak, Marta Ziętkiewicz, Gil Pasternak, et al.
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| Publication Statement
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Leiden: Brill
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| Title of Periodical
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IMAGES
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| Date
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2019
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| Volume/ Issue Number
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12/1
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| Page No
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151–179
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| Abstract
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This article studies the photographic methods that the Poland-based Landkentnish (Yiddish for “knowing the land”) movement employed in the interwar period to promote Jewish culture and Poland as a home for the Jewish people. The movement wished to increase the exposure of Polish Jews to Poland’s diverse landscapes in order to strengthen their connection to the Polish land. It also aspired to create archives of local Jewish cultural heritage to attest to the long history of Polish Jewry and to the contributions that Jews had made to Polish society. After tracing the movement’s origins, the article explores the concentrated efforts that it made to provide its members with photographic knowledge and education. Analyzing the photographic sources and resources that the movement created, the exhibitions that it put on display, and its employment of snapshots, the article demonstrates how photography assisted the movement in realizing its key aims and objectives. This article studies the photographic methods that the Poland-based Landkentnish (Yiddish for “knowing the land”) movement employed in the interwar period to promote Jewish culture and Poland as a home for the Jewish people. The movement wished to increase the exposure of Polish Jews to Poland’s diverse landscapes in order to strengthen their connection to the Polish land. It also aspired to create archives of local Jewish cultural heritage to attest to the long history of Polish Jewry and to the contributions that Jews had made to Polish society. After tracing the movement’s origins, the article explores the concentrated efforts that it made to provide its members with photographic knowledge and education. Analyzing the photographic sources and resources that the movement created, the exhibitions that it put on display, and its employment of snapshots, the article demonstrates how photography assisted the movement in realizing its key aims and objectives. This article studies the photographic methods that the Poland-based Landkentnish (Yiddish for “knowing the land”) movement employed in the interwar period to promote Jewish culture and Poland as a home for the Jewish people. The movement wished to increase the exposure of Polish Jews to Poland’s diverse landscapes in order to strengthen their connection to the Polish land. It also aspired to create archives of local Jewish cultural heritage to attest to the long history of Polish Jewry and to the contributions that Jews had made to Polish society. After tracing the movement’s origins, the article explores the concentrated efforts that it made to provide its members with photographic knowledge and education. Analyzing the photographic sources and resources that the movement created, the exhibitions that it put on display, and its employment of snapshots, the article demonstrates how photography assisted the movement in realizing its key aims and objectives. This article studies the photographic methods that the Poland-based Landkentnish (Yiddish for “knowing the land”) movement employed in the interwar period to promote Jewish culture and Poland as a home for the Jewish people. The movement wished to increase the exposure of Polish Jews to Poland’s diverse landscapes in order to strengthen their connection to the Polish land. It also aspired to create archives of local Jewish cultural heritage to attest to the long history of Polish Jewry and to the contributions that Jews had made to Polish society. After tracing the movement’s origins, the article explores the concentrated efforts that it made to provide its members with photographic knowledge and education. Analyzing the photographic sources and resources that the movement created, the exhibitions that it put on display, and its employment of snapshots, the article demonstrates how photography assisted the movement in realizing its key aims and objectives.
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| Location & Call number
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10.1163/18718000-12340104
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