The 'Effeminate' Buddha, the Yogic Male Body, and the Ecologies of Art History in Colonial India

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" The 'Effeminate' Buddha, the Yogic Male Body, and the Ecologies of Art History in Colonial India "
Ray, SUGATA

Document Type	:	AL
Record Number	:	917080
Doc. No	:	LA29n573t9
Title & Author	:	The 'Effeminate' Buddha, the Yogic Male Body, and the Ecologies of Art History in Colonial India [Article]\ Ray, SUGATA
Date	:	2015
Title of Periodical	:	UC Berkeley
Abstract	:	© Association of Art Historians 2015. Internalizing colonial accusations of the effeminacy of the native male body, nineteenth-century Indian ideologues and reformers attempted to redeem the national body through a range of phallocentric body cultures. Anti-colonial art history, however, deliberately appropriated colonizing discourses of the effeminate native body to epistemologically challenge the hegemonic hyper-masculinity advocated by both the regulatory mechanisms of the British empire and a larger nationalist body culture in colonial India. The ingenious invention of a discursive intimacy between yoga and an aesthetics of demasculinization led to the strategic resignification of the male body in early Indian sculpture as both a sign and the site of an imagined national life. Through a close analysis of art writing and photography, art pedagogy and colonial archaeology, visual practices and sartorial cultures, the essay delineates the fin-de-siècle politics and aesthetics of demasculinization that had led to the establishment of anti-colonial Indian art historys disciplinary and methodological concerns.