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" Pronouncing Shakespeare : "


Document Type : BL
Record Number : 1008905
Doc. No : b763275
Main Entry : Crystal, David,1941-
Title & Author : Pronouncing Shakespeare : : the Globe experiment /\ David Crystal.
Publication Statement : Cambridge ;New York :: Cambridge University Press,, 2005.
Page. NO : 1 online resource (xviii, 188 pages) :: illustrations
ISBN : 0511112130
: : 0511113137
: : 0511113641
: : 0511122020
: : 0511487010
: : 1280150181
: : 6610150184
: : 9780511112133
: : 9780511113130
: : 9780511113642
: : 9780511122026
: : 9780511487019
: : 9781280150180
: : 9786610150182
: 0521852137
: 9780521852135
Notes : Includes index.
Contents : Prologue / by Tim Carroll -- Idea -- Proposal; Reaction; Transcription; Meeting -- Evidence; Spelling; Orthoepists; Sound patterns; Decisions; Styles; Challenges; Differences; Features; Consonants; Vowels; Long vowels; Diphthongs; Individual cases; Resonances -- Rehearsal; Meeting; Refining; Finalizing; On stage; PR -- Performance; Interpretations; Dimensions; Talkback -- Consequences; Theatrical; Future; Epilogue; App. 1. Chief distinctive Early Modern English vowels -- App. 2. Extracts from the transcription.
Abstract : "How did Shakespeare's plays sound when they were originally performed? How canwe know, and could the original pronunciation ever be recreated? For three days in June 2004 Shakespeare's Globe presented their production of Romeo and Juliet in original, Shakespearian pronunciation. This book tells the story of how it happened ... In an unusual blend of autobiography, narrative, and academic content, reflecting the unique nature of the experience, David Crystal recounts the first attempt in over fifty years to mount a Full-length Shakespeare play in original pronunciation. The story begins by introducing the Globe theatre and its approach to 'original practices', which had dealt with all aspects of Elizabethan Stagecraft--except pronunciation. It traces the way the idea developed, from the initial proposal in 2003 through planning and rehearsals to the full-scale production in 2004. A large section is devoted to the nature of the Early Modern English sound system and the evidence for it. Other major sections include reports of how the actors coped with the task of learning the pronunciation, how it affected their performances, and how the audiences reacted."--Publisher's description.
Subject : Shakespeare, William,1564-1616-- Language.
: Shakespeare, William,1564-1616-- Stage history-- 1950-
: Shakespeare, William,1564-1616-- Stage history-- England-- London.
: Shakespeare, William,1564-1616., Romeo and Juliet.
: Shakespeare, William, 1564-1616, Romeo and Juliet
: Shakespeare, William,1564-1616
: Shakespeare, William,1564-1616.
: Shakespeare, William.
Subject : Globe Theatre (London, England : 1996- )
: Globe Theatre (London, England : 1996- )
Subject : English language-- Early modern, 1500-1700-- Pronunciation.
Subject : Aufführung
Subject : Aussprache
Subject : DRAMA-- Shakespeare.
Subject : English language-- Early modern-- Pronunciation.
Subject : Frühneuenglisch
Subject : Language and languages.
Subject : LITERARY CRITICISM-- Shakespeare.
Subject : Literatura inglesa.
Subject : Phonetik
Subject : Teatro elizabetano.
Subject : Globe Theatre.
Subject : Romeo and Juliet (Shakespeare)
Subject : Toneelvoorstellingen.
Subject : Uitspraak (taalkunde)
Subject : Romeo and Juliet (Shakespeare, William)
: Romeo and Juliet.
Subject : England, London.
Dewey Classification : ‭822.33‬
LC Classification : ‭PR3081‬‭.C93 2005eb‬
NLM classification : ‭18.04‬bcl
: ‭18.05‬bcl
: ‭HI 3331‬rvk
: ‭HI 3381‬rvk
: ‭HI 3560‬rvk
copyhttps://lib.clisel.com/site/catalogue/1008905
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