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" The last Soviet avant-garde : "


Document Type : BL
Record Number : 1031712
Doc. No : b786082
Main Entry : Roberts, Graham H.
Title & Author : The last Soviet avant-garde : : OBERIU--fact, fiction, metafiction /\ Graham Roberts.
Publication Statement : Cambridge, U.K. ;New York, NY, USA :: Cambridge University Press,, 1997.
Series Statement : Cambridge studies in Russian literature
Page. NO : xiii, 274 pages ;; 23 cm.
ISBN : 0521482836
: : 9780521482837
Bibliographies/Indexes : Includes bibliographical references (pages 237-267) and index.
Contents : Picture this: Christmas at the Ivanovs' by Aleksandr Vvedensky -- The reader in the text: the labours and days of Svistonov by Konstantin Vaginov -- From realism to 'real' art: Russian modernism and the avant-garde -- Neighbouring worlds, imaginary realities: the chinari -- OBERIU: the association for real art -- From the authority of language to the languages of authority: Daniil Kharms -- Language games and power play: Elizaveta Bam -- Time, death, God, and Vvedensky -- The poverty of language: Vvedensky's a certain quantity of conversations -- Worlds beyond words: Konstantin Vaginov -- Art as play: Konstantin Vaginov's Bambocciade.
: The art of public speaking: Russian modernism and the avant-garde -- Literature as system: Russian formalism and the Bakhtin circle -- OBERIU--Nikolay Zabolotsky, Nikolay Oleinikov, and Igorʹ Bakhterev -- Carnivalizing the author? Daniil Kharms -- Writing for a miracle: Kharms's the old woman as menippean satire -- What a time to tell a story: Aleksandr Vvedensky -- Dialogues of the dead: Vvedensky's Minin and Pozharsky -- The artist as hermit: Konstantin Vaginov -- The author loses his voice: the novels of Konstantin Vaginov -- Addressing the reader: Russian modernism and the avant-garde -- Text as dialogue: from Russian formalism to the Bakhtin circle -- OBERIU and the reader: Zabolotsky, Oleinikov, Bakhterev -- Stop reading sense: the prose of Daniil Kharms.
Abstract : This is the first comprehensive study of the group of avant-garde Soviet writers active in Leningrad in the 1920s and 1930s who styled themselves OBERIU, 'The Association of Real Art'. Graham Roberts re-examines commonly held assumptions about OBERIU, its identity as a group, its aesthetics, and its place within the Russian and European literary traditions. He focuses on the prose and drama of group members Daniil Kharms, Aleksandr Vvedensky and Konstantin Vaginov; he also considers work by Nikolay Zabolotsky and lgor' Bakhterev, as well as the group's most important 'fellow-traveller', Nikolay Oleinikov, and he places OBERIU in the context of the aesthetic theories of the Russian Formalists and the Bakhtin Circle.
: Roberts concludes by showing how the self-conscious literature of OBERIU - its metafiction - occupies an important transitional space between modernism and postmodernism.
Subject : Obėriu.
: Oberiu.
: Obėriu.
: OBERIOU (Russie)
: Obėriu
: Obėriu.
: Obėriu.
Subject : Literature, Experimental-- Soviet Union.
Subject : Russian literature-- 20th century-- History and criticism.
Subject : Littérature expérimentale-- URSS.
Subject : Littérature russe-- 20e siècle-- Histoire et critique.
Subject : 18.53 Russian literature.
Subject : Literatur
Subject : Literature, Experimental-- Russia-- History and criticism.
Subject : Literature, Experimental.
Subject : Littérature expérimentale-- Russie-- Histoire et critique.
Subject : Littérature expérimentale-- U.R.S.S-- Histoire et critique.
Subject : Littérature russe-- 20e siècle-- Histoire et critique.
Subject : Russian literature-- 20th century-- History and criticism.
Subject : Russian literature.
Subject : Literair leven.
Subject : Russisch.
Subject : Dom Muruzi
Subject : Soviet Union.
Dewey Classification : ‭891.7090042‬
LC Classification : ‭PG3026.O24‬‭R63 1997‬
NLM classification : ‭18.53‬bcl
: ‭7,41‬ssgn
: ‭KK 1470‬rvk
copyhttps://lib.clisel.com/site/catalogue/1031712
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