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" The politics and poetics of journalistic narrative : "


Document Type : BL
Record Number : 1039935
Doc. No : b794305
Main Entry : Frus, Phyllis.
Title & Author : The politics and poetics of journalistic narrative : : the timely and the timeless /\ Phyllis Frus.
Publication Statement : Cambridge [England] ;New York :: Cambridge University Press,, 1994.
Page. NO : xxiv, 292 pages ;; 24 cm
ISBN : 052110274X
: : 0521443245
: : 9780521102742
: : 9780521443241
Bibliographies/Indexes : Includes bibliographical references (pages 261-283) and index.
Contents : Introduction: What Isn't Literature -- 1. Writing After the Fact: Crane, Journalism, and Fiction -- 2. "News That Stays": Hemingway, Journalism, and Objectivity in Fiction -- 3. News That Fits: The Construction of Journalistic Objectivity -- 4. Other American New Journalism: 1960s New Journalism as "Other" -- 5. The "Incredibility of Reality" and the Ideology of Form -- 6. Freud and Our "Wolfe Man": The Right Stuff and the Concept of Belatedness.
Abstract : "The Politics and Poetics of Journalistic Narrative investigates the textuality of all discourse, arguing that the ideologically charged distinction between "journalism" and "fiction" is socially constructed rather than natural. Phyllis Frus separates literariness from aesthetic definitions, regarding it as a way of reading a text through its style to discover how it "makes" reality. Frus also takes up the problem of how we determine both the truth of historical events such as the Holocaust and the fictional or factual status of narratives about them." "Frus first examines narratives by Stephen Crane and Ernest Hemingway, showing that conventional understanding of the categories of fiction and nonfiction frequently determines the differences we perceive in texts, differences we imagine are determined by common sense. When journalists writing about historical events adopt the Hemingwayesque, understated narrative style that is commonly associated with both "objectivity" and "literature" (John Hersey is one example), the reader sees the damage done by the wholesale construction of literature as a "pure," nonfunctional art; it leads to an audience unable to face the historical and social conditions in which it must function. She interprets New Journalistic narratives by Truman Capote, Norman Mailer, Tom Wolfe, and Janet Malcolm, suggesting by her critical practice ways to counter the reification of modern consciousness to which both objective journalism and aestheticized fiction contribute."--Jacket.
Subject : American prose literature-- 20th century-- History and criticism.
Subject : Journalism-- United States-- History-- 20th century.
Subject : Narration (Rhetoric)
Subject : Nonfiction novel-- History and criticism.
Subject : Politics and literature-- United States-- History-- 20th century.
Subject : Reportage literature, American-- History and criticism.
Subject : American prose literature-- 20th century-- History and criticism.
Subject : American prose literature.
Subject : Erzähltechnik
Subject : Journalism-- United States-- History-- 20th century.
Subject : Journalism.
Subject : Journalismus
Subject : Narration (Rhetoric)
Subject : Narration (Rhetoric)
Subject : Nonfiction novel-- History and criticism.
Subject : Nonfiction novel.
Subject : Politics and literature-- United States-- History-- 20th century.
Subject : Politics and literature.
Subject : Prosa
Subject : Reportage literature, American-- History and criticism.
Subject : Reportage literature, American.
Subject : Reportageliteratur
Subject : Geschichte 1900-1990.
Subject : Prosa.
Subject : Amerikaans.
Subject : Journalistiek proza.
Subject : United States.
Subject : USA
Subject : USA.
Dewey Classification : ‭818/.50809‬
LC Classification : ‭PS366.R44‬‭F78 1994‬
NLM classification : ‭18.06‬bcl
: ‭HU 1821‬rvk
copyhttps://lib.clisel.com/site/catalogue/1039935
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