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" Touraj Kiaras and Persian classical music : "
Owen Wright.
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BL
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| Record Number
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1049766
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| Doc. No
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bc873
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| Language of Document
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English
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| Main Entry
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Wright, Owen,1938-
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| Title & Author
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Touraj Kiaras and Persian classical music : : an analytical perspective /\ Owen Wright.
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| Publication Statement
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Farnham, England ;Burlington, VT :: Ashgate,, ©2009.
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| Series Statement
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SOAS musicology series
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| Page. NO
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vi, 134 pages :: illustrations, music ;; 25 cm ++ 1 audio disc (digital ; 4 3/4 in.).
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| ISBN
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9780754663287
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: 0754663280
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| Notes
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Includes compact disc of Rose without thorns, the recording analyzed in the text (Touraj Kiaras, voice, with instrumentalists). The pre-composed pieces are by Farāmarz Pāyvar.
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| Bibliographies/Indexes
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Includes bibliographical references (pages 129-132) and index.
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| Contents
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Part 1. Touraj Kiaras. Historical context ; Learning ; Career development ; Westernization and tradition ; Exile -- Part 2. Analytical frameworks. Approaches ; Indigenous categories ; Terminology ; Creativity -- Part 3. The present performance. Format ; Analysis : background ; 3a. The pre-composed pieces. Pīshdarāmad ; Moqaddame ; Tarāne ; 3b. The radif section. Darāmad ; Chakāvak ; Leyli o majnun ; Ney-e dāvud ; Bidād ; Forud ; 3c. The pre-composed pieces. Tarāne ; Reng -- Part 4. Epilogue.
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| Abstract
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"In this book Owen Wright analyses a single recording of classical Persian music made by Touraj Kiaras, a distinguished singer, accompanied by four noted instrumentalists. The format of the recording is typical of a public concert performance, and thus includes instrumental compositions as well as a central exploration of vocal repertoire and technique. The analysis identifies salient structural features, whether of the individual components or of the whole, in a way accessible to the western reader, but it also takes account of the analytical metalanguage used in Persian scholarship, and includes consideration of the relationship between music and poetry. It is important to note that it is also guided by the perceptions of the performer, whose input and responses to questions have significantly influenced the enterprise. To avoid the dryly impersonal, the analysis is also framed by an introduction which combines a biographical sketch of Touraj Kiaras with a survey of the twentieth-century evolution of Persian classical music and of the position of the vocal repertoire within it, and by an epilogue which examines further the ideological basis of prevalent attitudes to music, and seeks to explore the validity of the analytical enterprise within this context." "Owen Wright is Research Professor of Musicology of the Middle East in the Department of Music at the School of Oriental and African Studies, University of London, UK."--Jacket.
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| Subject
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Kiaras, Touraj,1938-
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Kiaras, Touraj,1938-
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| Subject
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Songs, Persian-- Iran-- Analysis, appreciation.
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Songs, Persian-- Iran-- Interpretation (Phrasing, dynamics, etc.)
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Muziek.
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Zangkunst.
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| Subject
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Iran.
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| Subject
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Iran.
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| Dewey Classification
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782.4216/90955
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| LC Classification
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MT120.W75 2009
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| NLM classification
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24.70bcl
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| Added Entry
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Kiaras, Touraj,1938-
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Pāyvar, Farāmarz,1932-2009.
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