| Abstract
|
:
|
The present paper focuses on Aśvaghoṣa’s treatment of King Śuddhodana and Kapilavāstu, the latter’s kingdom, in the Buddhacarita (BC) and the Saundarananda (SNa). As I shall try to demonstrate, the poet’s depiction of Śuddhodana is strongly reminiscent of, and, I think, very likely based on, Brahmanical accounts of the rājadharma (BC 9.48) and the dharmarāja (BC 1.75) as they can be found, first and foremost, in the Mahābhārata (MBh). As for his description of the Śākya kingdom, it is obviously meant to be evocative of the “golden age” or, conversely, of its lack of any characteristic of the kaliyuga, which again points to Aśvaghoṣa’s likely acquaintance with epic descriptions of the kaliyuga and/or the yugānta as they can be found, e.g., in the so-called Mārkaṇḍeya section of the MBh (esp. 3.186 and 188). The present paper focuses on Aśvaghoṣa’s treatment of King Śuddhodana and Kapilavāstu, the latter’s kingdom, in the Buddhacarita (BC) and the Saundarananda (SNa). As I shall try to demonstrate, the poet’s depiction of Śuddhodana is strongly reminiscent of, and, I think, very likely based on, Brahmanical accounts of the rājadharma (BC 9.48) and the dharmarāja (BC 1.75) as they can be found, first and foremost, in the Mahābhārata (MBh). As for his description of the Śākya kingdom, it is obviously meant to be evocative of the “golden age” or, conversely, of its lack of any characteristic of the kaliyuga, which again points to Aśvaghoṣa’s likely acquaintance with epic descriptions of the kaliyuga and/or the yugānta as they can be found, e.g., in the so-called Mārkaṇḍeya section of the MBh (esp. 3.186 and 188).
|