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" The Many Scripts of the Chinese Scriptworld, the Epic of King Gesar, and World Literature "
Karen L. Thornber
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AL
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| Record Number
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1075738
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| Doc. No
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LA119367
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| Call No
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10.1163/24056480-00102006
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| Language of Document
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English
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| Main Entry
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Karen L. Thornber
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| Title & Author
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The Many Scripts of the Chinese Scriptworld, the Epic of King Gesar, and World Literature [Article]\ Karen L. Thornber
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| Publication Statement
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Leiden: Brill
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| Title of Periodical
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Journal of World Literature
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| Date
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2016
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| Volume/ Issue Number
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1/2
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| Page No
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212–225
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| Abstract
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The idea of an East Asian cultural “bloc” united in no small part by the Chinese script has long been widely held; through the end of the Qing dynasty Chinese characters served as the scripta franca for Chinese, Japanese, Korean, and Vietnamese intellectuals. Yet writing in East Asia has almost always involved more than Chinese characters and their offshoots. The purpose of this article is twofold. First is to introduce readers of world literature unfamiliar with East Asia to the wide variety of the region’s languages and scripts. The second objective is to demonstrate that when we associate writing in China only with Chinese characters, as often has been the case, we overlook some of the region’s, and the world’s, most significant works of world literature. These include the twelfth-century Epic of King Gesar, a living epic which at twenty-five times the size of the Iliad is the world’s longest. The idea of an East Asian cultural “bloc” united in no small part by the Chinese script has long been widely held; through the end of the Qing dynasty Chinese characters served as the scripta franca for Chinese, Japanese, Korean, and Vietnamese intellectuals. Yet writing in East Asia has almost always involved more than Chinese characters and their offshoots. The purpose of this article is twofold. First is to introduce readers of world literature unfamiliar with East Asia to the wide variety of the region’s languages and scripts. The second objective is to demonstrate that when we associate writing in China only with Chinese characters, as often has been the case, we overlook some of the region’s, and the world’s, most significant works of world literature. These include the twelfth-century Epic of King Gesar, a living epic which at twenty-five times the size of the Iliad is the world’s longest. The idea of an East Asian cultural “bloc” united in no small part by the Chinese script has long been widely held; through the end of the Qing dynasty Chinese characters served as the scripta franca for Chinese, Japanese, Korean, and Vietnamese intellectuals. Yet writing in East Asia has almost always involved more than Chinese characters and their offshoots. The purpose of this article is twofold. First is to introduce readers of world literature unfamiliar with East Asia to the wide variety of the region’s languages and scripts. The second objective is to demonstrate that when we associate writing in China only with Chinese characters, as often has been the case, we overlook some of the region’s, and the world’s, most significant works of world literature. These include the twelfth-century Epic of King Gesar, a living epic which at twenty-five times the size of the Iliad is the world’s longest. The idea of an East Asian cultural “bloc” united in no small part by the Chinese script has long been widely held; through the end of the Qing dynasty Chinese characters served as the scripta franca for Chinese, Japanese, Korean, and Vietnamese intellectuals. Yet writing in East Asia has almost always involved more than Chinese characters and their offshoots. The purpose of this article is twofold. First is to introduce readers of world literature unfamiliar with East Asia to the wide variety of the region’s languages and scripts. The second objective is to demonstrate that when we associate writing in China only with Chinese characters, as often has been the case, we overlook some of the region’s, and the world’s, most significant works of world literature. These include the twelfth-century Epic of King Gesar, a living epic which at twenty-five times the size of the Iliad is the world’s longest.
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| Descriptor
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Alai
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Epic of King Gesar
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Iliad
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Mahabharata
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Mongolia
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Tibet
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| Location & Call number
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10.1163/24056480-00102006
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