Between the Subversive Pen and the Blasphemous Microphone

مرکز و کتابخانه مطالعات اسلامی به زبان های اروپایی

منو

" Between the Subversive Pen and the Blasphemous Microphone "
Uchenna Bethrand Anih

Document Type	:	AL
Record Number	:	1076723
Doc. No	:	LA120352
Call No	:	‭10.1163/18757421-04802002‬
Language of Document	:	English
Main Entry	:	Uchenna Bethrand Anih
Title & Author	:	Between the Subversive Pen and the Blasphemous Microphone [Article]\ Uchenna Bethrand Anih
Publication Statement	:	Leiden: Brill
Title of Periodical	:	Matatu
Date	:	2016
Volume/ Issue Number	:	48/2
Page No	:	253–266
Abstract	:	Iconoclasm is a term that has been used to characterize any subversive, transgressive, and blasphemous adventure. There is abundant evidence that the African female creative impulse is geared towards subverting the existing social order as dominated and controlled by men. The two African female artists whose works are analysed in this study employ vivid sexual imagery to challenge the hegemony of male-oriented discourse. This essay examines the iconoclastic tendencies to be found in the Cameroonian Calixthe Beyala’s Amours sauvages and the Nigerian Saint Janet’s Faaji Plus. It concludes that although the two writers belong to different linguistic and geographical regions, and indeed to different generations, their works provide clear evidence of subversive art and depict a radical reaction to phallocentric norms and values in the African context. Iconoclasm is a term that has been used to characterize any subversive, transgressive, and blasphemous adventure. There is abundant evidence that the African female creative impulse is geared towards subverting the existing social order as dominated and controlled by men. The two African female artists whose works are analysed in this study employ vivid sexual imagery to challenge the hegemony of male-oriented discourse. This essay examines the iconoclastic tendencies to be found in the Cameroonian Calixthe Beyala’s Amours sauvages and the Nigerian Saint Janet’s Faaji Plus. It concludes that although the two writers belong to different linguistic and geographical regions, and indeed to different generations, their works provide clear evidence of subversive art and depict a radical reaction to phallocentric norms and values in the African context.
Descriptor	:	blasphemy
Descriptor	:	Cameroon
Descriptor	:	iconoclasm
Descriptor	:	Nigeria
Descriptor	:	popular music
Descriptor	:	subversion
Location & Call number	:	‭10.1163/18757421-04802002‬