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" Texts, Voices and Tapes "
Annachiara Raia
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AL
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| Record Number
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1076785
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| Doc. No
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LA120414
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| Call No
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10.1163/18757421-05101002
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| Language of Document
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English
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| Main Entry
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Annachiara Raia
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| Title & Author
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Texts, Voices and Tapes [Article]\ Annachiara Raia
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| Publication Statement
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Leiden: Brill
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| Title of Periodical
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Matatu
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| Date
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2020
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| Volume/ Issue Number
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51/1
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| Page No
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139–168
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| Abstract
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In this paper, I seek to investigate the manifold relationships between traditional and contemporary, oral and written Swahili poetry—in the utendi and mashairi forms—and its recitation in terms of the following considerations: how have advances in technology changed the production, transmission and reception of Swahili Islamic poetry? To what extent do writing and orality coexist in a recited text? What is the nature of performer identity formation within a “discourse network” of artists—the composer (mtungaji), reader (msomaji), and singer (mwimbaji)—who, in Goffman’s words, play “participation roles” and appropriate poetry belonging to other living poets or to their own (sometimes anonymous) ancestors? In an attempt to answer these questions, I provide examples of performers and their performative craft. In this paper, I seek to investigate the manifold relationships between traditional and contemporary, oral and written Swahili poetry—in the utendi and mashairi forms—and its recitation in terms of the following considerations: how have advances in technology changed the production, transmission and reception of Swahili Islamic poetry? To what extent do writing and orality coexist in a recited text? What is the nature of performer identity formation within a “discourse network” of artists—the composer (mtungaji), reader (msomaji), and singer (mwimbaji)—who, in Goffman’s words, play “participation roles” and appropriate poetry belonging to other living poets or to their own (sometimes anonymous) ancestors? In an attempt to answer these questions, I provide examples of performers and their performative craft.
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African Studies
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Comparative Studies World Literature
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Criticism Theory
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Cultural History
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Islamic poetry
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Lamu archipelago
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Literature Culture
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Literature and Cultural Studies
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mediation and appropriation
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performing arts
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Postcolonial Literature Culture
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| Location & Call number
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10.1163/18757421-05101002
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