رکورد قبلیرکورد بعدی

" Absolute Art: "


Document Type : AL
Record Number : 1081584
Doc. No : LA125213
Call No : ‭10.1163/15685292-12341235‬
Language of Document : English
Main Entry : Arianne Conty
Title & Author : Absolute Art: [Article] : Nicolas of Cusa’s De Visione Dei\ Arianne Conty
Publication Statement : Leiden: Brill
Title of Periodical : Religion and the Arts
Date : 2012
Volume/ Issue Number : 16/5
Page No : 461–487
Abstract : Nicolas of Cusa’s fifteenth-century text De Visione Dei represents his most far-reaching illustration of communication between finite “quantum” vision and the infinite spherical vision of God. Written to accompany a visual experiment, the text instructs the monks of Tegernsee to circumambulate an all-seeing icon of God. Developing the concept of infinite space that had found a geometrical representation in the vanishing point, Cusa places it within God’s eye, which retains its medieval and religious function by gazing out of the painting at the monk according to inverse perspective. This text thus constructs a veritable sociology of belief, in which believing the word of the other, of the community, is necessary for each individual’s understanding of God. In this sense, there can be no unmediated experience of the divine, for God, as infinite and absolute, cannot be reduced to a single perspective. Cusa’s experiment shows us that we cannot live together in a community based upon what we see, for what we see cannot be shared. It is only our trust in the word of others that can testify to an invisible and universal meaning. Sharing this meaning in language effectively founds the social order. Nicolas of Cusa’s fifteenth-century text De Visione Dei represents his most far-reaching illustration of communication between finite “quantum” vision and the infinite spherical vision of God. Written to accompany a visual experiment, the text instructs the monks of Tegernsee to circumambulate an all-seeing icon of God. Developing the concept of infinite space that had found a geometrical representation in the vanishing point, Cusa places it within God’s eye, which retains its medieval and religious function by gazing out of the painting at the monk according to inverse perspective. This text thus constructs a veritable sociology of belief, in which believing the word of the other, of the community, is necessary for each individual’s understanding of God. In this sense, there can be no unmediated experience of the divine, for God, as infinite and absolute, cannot be reduced to a single perspective. Cusa’s experiment shows us that we cannot live together in a community based upon what we see, for what we see cannot be shared. It is only our trust in the word of others that can testify to an invisible and universal meaning. Sharing this meaning in language effectively founds the social order.
Descriptor : Christian mysticism
Descriptor : icon
Descriptor : infinity
Descriptor : language and experience
Descriptor : Nicolas of Cusa
Descriptor : religious art
Descriptor : Renaissance
Descriptor : sociology of belief
Descriptor : the gaze of God
Location & Call number : ‭10.1163/15685292-12341235‬
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10.1163-15685292-12341235_36290.pdf
10.1163-15685292-12341235.pdf
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