|
" Time and presence in art : "
edited by Armin Bergmeier and Andrew Griebeler.
| Document Type
|
:
|
BL
|
| Record Number
|
:
|
1091166
|
| Doc. No
|
:
|
bc1010685
|
| Language of Document
|
:
|
English
|
| Title & Author
|
:
|
Time and presence in art : : moments of encounter (200-1600 CE) /\ edited by Armin Bergmeier and Andrew Griebeler.
|
| Publication Statement
|
:
|
Berlin ;Boston :: Walter de Gruyter GmbH,, [2022]
|
|
|
:
|
, ©2022
|
| Series Statement
|
:
|
Sense, Matter, and Medium ;; Volume 5
|
| Page. NO
|
:
|
1 online resource (xv, 254 pages) :: illustrations
|
| ISBN
|
:
|
9783110722079
|
|
|
:
|
: 3110722070
|
|
|
:
|
: 9783110722161
|
|
|
:
|
311072216X
|
|
|
:
|
9783110720693
|
|
|
:
|
3110720698
|
| Bibliographies/Indexes
|
:
|
Includes bibliographical references and index.
|
| Contents
|
:
|
Art history's transgressive temporalities / Keith Moxey -- Bild und Präsenz: an interview with Hans Belting / Hans Belting and Armin Bergmeier -- The appointed time: early Islamic temporality and the Haram al-Sharif in Jerusalem / Heba Mostafa -- The shape of time: aligning the medieval present with the biblical past in the diagrams of Opicinus de Canistris (1296-ca. 1352) / Sarah M. Griffin -- The Paduan baptistery: a case study on the interrelations of time and image in the fourteenth century / Simone Westermann -- Pointing to a deeper now: time, sound, touch, and the devotional present in fifteenth-century northern Europe / Matthew S. Champion -- Timing Lepanto in Venetian visual culture: the making of present past in the 1570s / Stefan Hanß -- The uncanny encounter / Benjamin Anderson -- Engaging spaces: Matteo Giovannetti's frescoes at the papal court of Avignon / Tanja Hinterholz -- Experiencing the present (and past) through the body: pilgrimage as a tool for transforming time, and the migrating art historians project / Ivan Foletti -- Beyond interpretation: a brief case for presence at the heart of art museum education / Nathaniel Prottas -- Radiant dialogue: discovering Piero's crucifixion in the Frick collection / Rika Burnham -- Dialogue on dialogues: Rika Burnham and Nathaniel Prottas in conversation / Nathaniel Prottas and Rika Burnham
|
| Abstract
|
:
|
This volume explores the relationship between temporality and presence in medieval artworks from the third to the sixteenth centuries. It is the first extensive treatment of the interconnections between medieval artworks' varied presences and their ever-shifting places in time. The volume begins with reflections on the study of temporality and presence in medieval and early modern art history. A second section presents case studies delving into the different ways medieval artworks once created and transformed their original viewers' experience of the present. These range from late antique Constantinople, early Islamic Jerusalem and medieval Italy, to early modern Venice and the Low Countries. A final section explores how medieval artworks remain powerful and relevant today. This section includes case studies on reconstructing presence in medieval art through embodied experience of pilgrimage, art historical research and museum education. In doing so, the volume provides a first dialog between museum educators and art historians on the presence of medieval artifacts. It includes contributions by Hans Belting, Keith Moxey, Rika Burnham and others.
|
| Subject
|
:
|
Time in art.
|
| Subject
|
:
|
Art, Medieval.
|
| Subject
|
:
|
Temps dans l'art.
|
| Subject
|
:
|
Art médiéval.
|
| Subject
|
:
|
Art, Medieval.
|
| Subject
|
:
|
Time in art.
|
| Dewey Classification
|
:
|
704.949115
|
| LC Classification
|
:
|
N8253.T5T56 2022
|
| Added Entry
|
:
|
Bergmeier, Armin
|
|
|
:
|
Griebeler, Andrew
|
| |