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مرکز و کتابخانه مطالعات اسلامی به زبان های اروپایی
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"
Politics and the moving image :
"
Mukhida, Leila
Document Type
:
Latin Dissertation
Record Number
:
1100586
Doc. No
:
TLets636846
Main Entry
:
Mukhida, Leila
Title & Author
:
Politics and the moving image :\ Mukhida, Leila
College
:
University of Birmingham
Date
:
2015
student score
:
2015
Degree
:
Ph.D.
Abstract
:
This thesis charts the trajectory of a strand of film-theoretical optimism in texts by Walter Benjamin (1882-1940), Siegfried Kracauer (1889-1966) and Alexander Kluge (1932–) from different moments in the twentieth century; the empirical corpus looks to post-reunification German and Austrian cinema to find evidence of this theoretical optimism in contemporary filmmaking practices. The thinkers advocate the leftist-political potential of film to stimulate a critical mode of spectatorship, and are to varying degrees influenced by Brecht and the neo- Marxist politics of the \({Frankfurter Institut für Sozialforschung}\). The objective of this thesis is thus twofold. First, it illustrates the continuing relevance of the following principal strands in the film-theoretical texts of Benjamin, Kracauer and Kluge: the representation of the figure of the worker in the \(Arbeiterfilm\) genre; the possibilities and limits of capturing reality using different modes of realism; the imperative of challenging viewers in order to transform them from ‘consumers’ into collaborators; and, following on from this, notions of shock and distraction, focusing on Benjamin’s concept of the ‘Schockwirkung’. Second, it shows how this diachronic, neo-Marxist approach can continue to illuminate facets of the political in contemporary cinema by German-speaking directors in an age of advanced capitalism and digital reproducibility.
Subject
:
JA Political science (General)
:
PN1993 Motion Pictures
Added Entry
:
University of Birmingham
https://lib.clisel.com/site/catalogue/1100586
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TLets636846_1172.pdf
TLets636846.pdf
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