Opera in Warsaw, 1765–1830:

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" Opera in Warsaw, 1765–1830: "
Parkitna, Anna Honisch, Erika S

Document Type	:	Latin Dissertation
Language of Document	:	English
Record Number	:	1113767
Doc. No	:	TLpq2386968652
Main Entry	:	Honisch, Erika S
	:	Parkitna, Anna
Title & Author	:	Opera in Warsaw, 1765–1830:\ Parkitna, AnnaHonisch, Erika S
College	:	State University of New York at Stony Brook
Date	:	2020
student score	:	2020
Degree	:	Ph.D.
Page No	:	314
Abstract	:	The existing image of opera culture in the Enlightenment is incomplete. While musicology tends to confer importance on a few major musical centers, eighteenth-century opera was increasingly unrestricted by geographical or linguistic boundaries, and circulated throughout the entire European continent. In the age of cosmopolitanism and burgeoning public theaters, operas—particularly works of Italian and French origin—were often performed by the same mobile singers at different locations. Along with an emerging interest in national identity, composers of newly established vernacular operas, who relied to a certain extent on well-known conventions, developed distinct musical styles. It is only through this comprehensive context that the historical character and cultural significance of Classical-period opera can be fully understood.
Subject	:	East European studies
	:	Enlightenment
	:	Music history
	:	Opera
	:	Theater history
	:	Warsaw