| | | center | : | The Center of European Languages of Qom(Ale Beit Publications) | | Document Type | : | BL | | Record Number | : | 2297 | | Doc. No | : | b12229 | | Language of Document | : | English | | Main Entry | : | Smith, Paul, 1956 | | Title & Author | : | A companion to art theory/ edited by Paul Smith and Carolyn Wilde | | Publication Statement | : | Oxford ;Malden, MA: Blackwell,, 2002. | | Series Statement | : | (Blackwell companions in cultural studies ; 5) | | Page. NO | : | xix, 529 p.: ill. ; 26 cm. | | ISBN | : | 0631207627 | | Notes | : | Print | | Bibliographies/Indexes | : | Includes bibliographical references and index. | | Contents | : | Part. 1.Tradition and the academy.Introduction: Alberti and the formation of modern art theory /Carolyn Wilde --Classical concept of minesis /Georan Seorbom ;Medieval art theory /Hugh Bredin ;Neoplatonist aesthetics /Suzanne Stern-Gillet ;Renaissance art theories /Francois Quiviger ;Touch, tactility, and the reception of sculpture in early modern Italy /Geraldine A. Johnson ;Spiritual exercises of Leonardo da Vinci /Robert Williams ;Academic theory,1550-1800 /Paul Duro ;Rhetorical categories in the academy /Caroline van Eck ;Picturesque and its development /Andrew Ballantyne --pt. 2.Around modernism.Aesthetics of Kant and Hegel /Jason Gaiger ;E.H. Gombrich and the tradition of Hegel /David Summers ;German romanticism and French aesthetic theory /Wendy S. Mercer ;Expression : natural, personal, pictorial /Richard Shiff ;Reading artists' words /Richard Hobbs ;Nietzsche and the artist /Michael White ;Wittgenstein, description, and Adrian Stokes (on Caezanne) /Paul Smith ;Modernism and the idea of the avant-garde /Paul Wood ;On the intention of modern(ist) art /Fred Orton ;Anti-art and the concept of art /Paul N. Humble ;Marcel Duchamp's readymades and anti-aesthetic reflex /David Hopkins --pt. 3.Critical theory and postmodernism.Marxism and critical art history /David Craven ;Walter Benjamin and art theory /Howard Caygill ;Bakhtin and the visual arts /Deborah J. Haynes ;Peirce's visuality and the semiotics of art /Michael Leja ;Conceptual art /Charles Harrison ;Barthes on art /Margaret Iversen ;Foucault and art /Roy Boyne ;Derrida and the Parergon /Robin Marriner ;What consciousness forgets : Lyotard's concept of the sublime /Renaee van de Vall ;Deleuze on Francis Bacon /Ian Heywood ;Feminisms and art theory /Marsha Meskimmon ;Psycho-phallus (qu'est-ce que c'est?) /Mignon Nixon --pt. 4.Interpretation and the institution of art.Rules of representation /John Willats ;Gombrich and psychology /Richard Woodfield ;Hermeneutics and art theory /Nicholas Davey ;Reciprocity and reception theory /Michael Ann Holly ;Paradox of creative interpretation in art /Carl Hausman ;Interdisciplinarity and visual culture /Charlotte Klonk ;Against curatorial imperialism : Merleau-Ponty and the historicity of art /Paul Crowther ;Institutional theory of art : theory and antitheory /Garry L. Hagberg. | | Subject | : | ArtPhilosophy--History | | Subject | : | Art criticismHistory | | Subject | : | Aesthetics | | LC Classification | : | N61.,C58 2002 | | Added Entry | : | Wilde, Carolyn، 1945 |
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http://lib.clisel.com/site/catalogue/2297
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