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" Environmental sound artists : "
Frederick Bianchi, V.J. Manzo.
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BL
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| Record Number
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558571
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b387514
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| Main Entry
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Frederick W Bianchi
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| Title & Author
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Environmental sound artists : : in their own words\ Frederick Bianchi, V.J. Manzo.
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| Publication Statement
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New York: NY Oxford University Press,, [2016] ©2016
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| ISBN
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0190234636
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: 9780190234638
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| Notes
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Includes index.
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| Contents
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COVER Environmental Sound Artists In Their Own Words COPYRIGHT CONTENTS FOREWORD PREFACE ACKNOWLEDGMENTS Introduction Chapter 1: Sonifications of Global Environmental Data Heat and the Heartbeat of the City N. Chapter 2: Sewer Pipe Organ Chapter 3: Biophonic Sound Sculptures in Public Spaces Chapter 4: A Philosophical Report from Work-in-Progress Means and Mechanisms Sound Monitoring Non-Linear Chaotic Circuits Compression of Time and Space Pinion Engraver Beetle A Further Metaphor Chapter 5: Listening to the Earth Earth Sound. Deep Earth Dome (2006-2008) The Significance of Listening to the Earth A Farewell to Wilderness? Chapter 6: The Place Where You Go to Listen : An Ecosystem of Sound and Light Mapping the Terrain The Colors of Noise and Tone
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| Abstract
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Environmental Sound Artists: In Their Own Words is an incisive and imaginative look at the international environmental sound art movement, which emerged in the late 1960s. The book presents a current perspective on the movement through a collection of personal writings by important environmental sound artists.",,,,,"An Orchestration of Untouched Material" ; Chapter 7: Meltwater ; January 9, 2009 ; A Sense of Wonder ; Antarctica: Music from the Ice ; Meltwater ; Chapter 8: Hearing Curved Space ; Hearing Curved Space ; Midsummer Celebration, Kökar, Åland, Finland, Sunday, June 26, 2005 ; Outcome ; Chapter 9: River Listening ; Chapter 10: Sun Boxes. Chapter 11: Bridge Music and Tower Music Bridge Music ; Tower Music ; Chapter 12: Data as Music ; Audio Information Design Issues ; Chapter 13: Sonic Landscapes (finding a sense of place with my ears) ; DAY 0: Sidney International Airport-Arrival in a Non-Place. ; DAY 1: Western Riverina-Hearing the Old Birrego School. ; DAY 2: An open field-Listening to the Song of the tree. ; Day 4: The Murrumbidgee River-Mapping the mental soundscape. ; Day 6: A nearby water hole-In search of the "kinda-blue-bird." ; Day 7: The Old Birrego School-The ears warn, the eyes confirm. Day 9: The Strong's Farm-The ears inform. Day 12: How to save 100,000 on sensors (or how to open a window and listen). ; Epilogue ; Chapter 14: Sonic Migrations ; Migrations ; Sounding Underground ; Listening and Remembering -Networked Improvisation for Four Commuters ; Networked Migrations : Listening to and Performing the In-Between Space ; Final Reflection ; Chapter 15: Sound Architecture ; Chapter 16: The Sonic Ecology of Structures ; Chapter 17: Why Bring Nature into Your Music? ; Chapter 18: The Dawn Chorus ; Chapter 19: Bivvy Broadcasts. Chapter 20: A Philosophy of Eco-acoustics in the Interdisciplinary Project "Fragments of Extinction" Statement and Project Background ; Fragments, One Installation/Performance ; Part I: The Immersive Experience ; Part II: Nature Explained ; Part III: Nature Integrated ; Conclusions and Current Developments ; Coda ; Chapter 21: Towards Activist Sound ; Chapter 22: The Listening Experience of Paramnesia ; Paramnesia ; Daytime in Promenade ; Night-time in Repose ; Flashbacks ; Cadence ; Chapter 23: Musical Heuristics in Six Ecoacoustic Quintets.
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Electronic books; Criticism, interpretation, etc
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| Added Entry
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V J Manzo
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