| Document Type
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BL
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| Record Number
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580617
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| Doc. No
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GBA847349b409836
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| Main Entry
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Benward, Bruce.
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| Title & Author
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Music in theory and practice /\ Bruce Benward, Marilyn Saker.
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| Edition Statement
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Eighth edition.
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| Publication Statement
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Boston :: McGraw-Hill,, c2009.
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| Page. NO
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2 volumes :: illustrations ;; 28 cm ++ 2 audio discs (digital ; 4 3/4 in.)
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| ISBN
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9780073101873 (v. 1 : alk. paper)
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: 0073101877 (v. 1 : alk. paper)
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: 9780073101880 (v. 2 : alk. paper)
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: 0073101885 (v. 2 : alk. paper)
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: 9780077254957 (student text, vol. 2)
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: 0077254953 (student text, vol. 2)
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: 9780073127484 (instructor's manual, vol. 1)
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: 0073127485 (instructor's manual, vol. 1)
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: 9780073127439 (instructors manual, vol. 2)
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: 0073127434 (instructors manual, vol. 2)
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: 9780077294236 (workbook, vol. 1)
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: 0077294238 (workbook, vol. 1)
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: 9780073127415 (workbook, vol. 2)
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: 0073127418 (workbook, vol. 2)
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| Bibliographies/Indexes
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Includes bibliographical references (v. 1, p. 395) and index.
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| Contents
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v. 1. Notation ; Scales, tonality, key, modes ; Intervals and transposition ; Chords ; Cadences and nonharmonic tones ; Melodic organization ; Texture and textural reduction ; Species counterpoint ; Voice leading in four-part chorale writing ; Harmonic progression and harmonic rhythm ; The dominant seventh chord ; The leading-tone seventh chords ; Nondominant seventh chords ; Secondary dominants and leading-ton chords ; Modulation ; Two-part (binary) form ; three-part (ternary) form -- v. 2. Late Renaissance polyphony ; Two-voice eighteenth-century counterpoint ; The Fugue ; Borrowed chords ; Neapolitan 6th chords ; Augmented 6th chords ; Variation technique ; Sonata form ; Rondo forms ; 9th, 11th, and 13th chords ; Altered dominants ; Chromatic mediants ; The romantic period ; The post-romantic style ; Impressionism and related styles ; The early twentieth century ; Twelve-tone technique ; Music since 1945.
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| Subject
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Music theory.
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| Dewey Classification
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781
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| LC Classification
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MT6.B34M9 2009
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| Added Entry
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Saker, Marilyn Nadine.
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