| Document Type
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BL
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| Record Number
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581880
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| Doc. No
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b411099
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| Main Entry
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Holway, Jerry
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| Title & Author
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The Steadicam operator's handbook /\ Jerry Holway and Laurie Hayball
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| Edition Statement
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2nd ed
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| Publication Statement
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Waltham, MA :: Focal Press,, 2013
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| Page. NO
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xiv, 458 p. :: col. ill. ;; 28 cm
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| ISBN
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9780240823805 (pbk)
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: 024082380X (pbk)
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| Bibliographies/Indexes
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Includes bibliographical references and index
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| Contents
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Machine generated contents note: Cut. Print. Great -- How to begin -- Section One The Steadicam® and its parts -- Wearing the Steadicam -- Basic physics -- Getting to know the rig -- Basic Steadicam terms -- Building the rig -- Four balancing acts -- Static balance -- Dynamic balance -- Section Two Getting Started -- Putting on the Steadicam® -- Moving with the rig -- The right touch -- Starting and stopping -- The camera's path -- Making the switch -- Variations on the line dance -- Memorizing the shot -- Section Three Beyond the Basics -- Low mode -- Navigation -- Keeping the camera level -- Steadicam® posture -- General health and operating -- Women and Steadicam® -- Are you ready? -- My big break / Dan Kneece -- Section Four Steadicam® and filmmaking -- Basic shot design -- Take after take / Janice Arthur -- Your role as storyteller -- Point of view -- Moving composition -- Strong camera moves -- Section Five Movement Techniques -- Would you care to dance? --
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Contents note continued: Moving through space -- Floating the camera -- Put the rig on the other side -- Negotiating tight spaces -- Running with a rig -- Section Six Framing Techniques -- More on operating -- Framing corrections -- Precise framing techniques -- Lock offs -- Whip pans -- Longer lenses -- Zoom lenses -- Pass-bys -- Telling the story -- Section Seven Getting to Work -- Accessories -- Focus pulling -- Preparing for a shoot -- Communication -- Using grips wisely -- Section Eight Extending the range of movement -- Inventing the wheel -- Configuring the rig -- Flying with a motorized stage -- Inertial augmentation and balance -- Gyros -- Vertical control -- Arm posts -- Section Nine Extending the range of options -- Steadicam® and vehicles -- To ride or not to ride? -- Hard mount or soft mount -- Safety, speed, communication -- Types of vehicles -- Endurance a test of mind and body / Brant Fagan -- Vehicles to avoid --
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Contents note continued: This is just a little part of the Turkish helicopter story / Jakob Bonfils -- Interesting vehicles we like -- Section Ten The business side of Steadicam® -- Buying a Steadicam® -- Negotiating your deal -- Advertising -- Insurance -- Section Eleven Unique environments and requirements -- Weather alerts -- Survivor no. 1 / Scott Lakey -- Documentaries and industrials -- Capturing reality / Chris Fawcett -- Video and Steadicam® -- Steadicam and live TV / Lars Riis -- Heavy cameras -- Unintended consequences -- Lightweight rigs -- Steadicam light / Garrett Brown -- Lightweight Steadicam® -- Garrett's big night out -- DSLR cameras and Steadicam® -- Section Twelve New Directions -- Sometimes I dream in Tango[™] -- Steadicam® in 3D -- Section Thirteen The experienced operator -- The right attitude -- Additional concerns -- How do we get this shot? / Charles Papert -- Breaking the rules -- The emotional stuff -- Long shots -- A great walk and talk --
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Contents note continued: The long Steadicam shot / Larry McConkey -- Camera Darwinism -- And Action!
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| Subject
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Steadicam (Trademark)
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| Subject
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Motion picture cameras
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| Subject
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Cinematography
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| Dewey Classification
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777/.5
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| LC Classification
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TR880.H86 2012
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| Added Entry
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Hayball, Laurie White
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