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Introduction: Approaches to classical music in British literature, 1870-1945: Theory and practice -- The liberalization of music in aesthetic literature: Pater and Oxford -- Modernism's distinctive musical rhetoric: Eliot, Huxley, and Woolf -- The musical refinement of society's margins: Bennet, Burke, Lawrence, and their contemporaries -- Distinguishing a musical homoeroticism: Pater, Forster, and their aesthetic descendants -- Classical music, cosmopolitanism, and war: From authors to audiences -- Conclusion: A literary coda: Classical music in British literature
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