| Document Type
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BL
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| Record Number
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625410
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| Doc. No
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dltt
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| Main Entry
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Uroskie, Andrew V.
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| Title & Author
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Between the black box and the white cube : : expanded cinema and postwar art /\ Andrew V. Uroskie
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| Page. NO
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x, 273 pages :: illustrations ;; 24 cm
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| ISBN
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9780226842981 (cloth : alk. paper)
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: 0226842983 (cloth : alk. paper)
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: 9780226842998 (pbk. : alk. paper)
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: 0226842991 (pbk. : alk. paper)
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9780226109022 (e-book)
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: 022610902X
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: 9780226109022
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| Notes
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Includes index
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| Bibliographies/Indexes
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Includes bibliographical references (pages 239-258) and index
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| Contents
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Introduction: from medium to site -- Rhetorics of expansion -- Leaving the movie theater -- Moving images in the gallery -- Cinema on stage -- The festival, the factory, and feedback -- Epilogue: the homelessness of the moving image
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| Abstract
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"The first book to tell the story of the postwar expanded cinema that would inspire the now ubiquitous presence of the moving image in contemporary art. In the 1950s and 1960s, the rise of television caused movie theaters to lose their monopoly over the moving image. Andrw V. Uroskie argues that it was this cultural displacement, rather than any formal or technological innovation, that lay at the origins of the expanded cinema."--Back cover
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| Subject
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Art and motion pictures
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| Subject
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Art, Modern
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| Subject
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Art-- 20th century
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| Dewey Classification
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700.9/045
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| LC Classification
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N72.M6U76 2014
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