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" Multimodal film analysis : "
John A. Bateman and Karl-Heinrich Schmidt
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BL
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| Record Number
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628741
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| Doc. No
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dltt
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| Main Entry
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Bateman, John A
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| Title & Author
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Multimodal film analysis : : how films mean /\ John A. Bateman and Karl-Heinrich Schmidt
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| Series Statement
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Routledge studies in multimodality ;; 5
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| Page. NO
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viii, 330 pages :: ill,; 24 cm
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| ISBN
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9780415883511
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: 0415883512
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| Bibliographies/Indexes
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Includes bibliographical references and index
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| Contents
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Analysing film. Distinguishing the filmic contribution to meaning -- Examples of filmic "textual organisation" -- Redrawing boundaries -- Organisation of the book -- Semiotics and documents. Semiotics and its relations to film -- The nature of discourse semantics -- The film as cinematographic document -- A combined view: filmic documents for filmic discourse -- Constructing the semiotic mode of film. Semiotic multimodality -- The internal organisation of semiotic strata -- Composing and combining semiotic modes -- Materiality and "epistemological commitment" -- Christian Metz and the grande syntagmatique of the image track. The original model -- Two examples of analysis with the grande syntagmatique -- Revisions and rebuttals -- Foundations for analysis: filmic units. The basic units of film: preliminaries -- Audiovisual iconic representations -- Perception, perceptual realism and reliable measurement -- Multiplicity: from perception to discourse -- Filmic units revisited: discourse-motivated definitions -- The paradigmatic organisation of film. Beyond Metz: towards a grande paradigmatique -- Capturing discourse dependency structures in film -- The paradigmatic dimensions of projection, taxis and plane -- Two examples of paradigmatic analysis -- Summary and conclusions
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| Subject
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Motion pictures-- Philosophy
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| Subject
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Motion pictures-- Semiotics
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| Dewey Classification
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791.4301
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| LC Classification
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PN1995.B2953 2012
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| Added Entry
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Schmidt, Karl-Heinrich
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