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                    " A history of western art / "
                    Laurie Schneider Adams
 
 
            
                
                    | Document Type | : | BL |  
                    | Record Number | : | 652080 |  
                    | Doc. No | : | dltt |  
                    | Main Entry | : | Adams, Laurie. |  
                    | Title & Author | : | A history of western art /\  Laurie Schneider Adams |  
                    | Edition Statement | : | 5th ed |  
                    | Publication Statement | : | New York, NY ::  McGraw-Hill,,  2011 |  
                    | Page. NO | : | xx, 620 pages :: color illustrations, color maps ;; 28 cm |  
                    | ISBN | : | 9780073379227 |  
                    |  | : | : 0073379220 |  
                    |  | : | : 9780071221405 |  
                    |  | : | : 0071221409 |  
                    | Bibliographies/Indexes | : | Includes bibliographical references (pages 589-598) and index |  
                    | Contents | : | Why do we study the history of art? -- The language of art -- Prehistoric Western Europe -- The ancient near East -- Ancient Egypt -- The Aegean -- The art of ancient Greece -- The art of the Etruscans -- Ancient Rome -- Early Christian and Byzantine art -- Romanesque art -- Gothic art -- Precursors of the Renaissance -- The early Renaissance -- The high Renaissance in Italy -- Mannerism and the later sixteenth century in Italy -- Sixteenth-century painting and printmaking in northern Europe -- The Baroque style in western Europe -- Rococo, the eighteenth century, and revival styles -- Neoclassicism: the late eighteenth and early nineteenth centuries -- Romanticism: the late eighteenth and early nineteenth centuries -- Nineteenth-century realism -- Nineteenth-century impressionism -- Post-impressionism and the late nineteenth century -- The early twentieth century: Picasso, Fauvism, expressionism, and Matisse -- Cubism, futurism, and related twentieth-century styles -- Dada, Surrealism, social realism, regionalism, and abstraction -- Mid-century American abstraction -- Pop art, op art, minimalism, and conceptualism -- Continuity, innovation, and globalization |  
                    | Abstract | : | Why do we study the history of art? -- The language of art -- Prehistoric Western Europe -- The ancient near East -- Ancient Egypt -- The Aegean -- The art of ancient Greece -- The art of the Etruscans -- Ancient Rome -- Early Christian and Byzantine art -- Romanesque art -- Gothic art -- Precursors of the Renaissance -- The early Renaissance -- The high Renaissance in Italy -- Mannerism and the later sixteenth century in Italy -- Sixteenth-century painting and printmaking in northern Europe -- The Baroque style in western Europe -- Rococo, the eighteenth century, and revival styles -- Neoclassicism: the late eighteenth and early nineteenth centuries -- Romanticism: the late eighteenth and early nineteenth centuries -- Nineteenth-century realism -- Nineteenth-century impressionism -- Post-impressionism and the late nineteenth century -- The early twentieth century: Picasso, Fauvism, expressionism, and Matisse -- Cubism, futurism, and related twentieth-century styles -- Dada, Surrealism, social realism, regionalism, and abstraction -- Mid-century American abstraction -- Pop art, op art, minimalism, and conceptualism -- Continuity, innovation, and globalization |  
                    | Subject | : | Art-- History |  
                    | LC Classification | : | N5300.A33 2011 |  |  |