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" Experimental arts in postwar Japan : "
Miryam Sas
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BL
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| Record Number
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658969
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| Doc. No
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dltt
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| Main Entry
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Sas, Miryam
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| Title & Author
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Experimental arts in postwar Japan : : moments of encounter, engagement, and imagined return /\ Miryam Sas
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| Series Statement
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Harvard East Asian monographs ;; 329
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| Page. NO
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xvii, 275 pages :: illustrations,; 24 cm
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| ISBN
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9780674053403
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: 0674053400
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| Bibliographies/Indexes
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Includes bibliographical references and index
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| Contents
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Introduction: death acts (survival acts) -- Post-Shingeki's edge. No holds barred: Betsuyaku Minoru and the paradoxes of total commitment -- Terayama Shuji: gender, power, and the imperative voice -- Blindness and the visuality of desire -- Intersubjective spaces, communal dreams -- Theories of encounter. Theories of encounter: breaking the everyday -- Imaginations of return: film, Buto, photography. Marks the spot: experimental film crossings -- On homecoming: Hijikata's writings and Buto -- Provoke era: new languages of Japanese photography -- Conclusion: counterfeit coins, phantasms
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| Abstract
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Concentrates on theater, film, video, butō dance, and photography in the period from the 1960s to 1980s
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| Subject
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Arts, Japanese-- 20th century
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Avant-garde (Aesthetics)-- Japan
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| Dewey Classification
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700.952/09046
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| LC Classification
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NX584.A1S26 2011
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