| Document Type
|
:
|
BL
|
| Record Number
|
:
|
662512
|
| Doc. No
|
:
|
dltt
|
| Main Entry
|
:
|
Tooms, Michael S.
|
| Title & Author
|
:
|
Colour reproduction in electronic imaging systems : : photography, television, cinematography /\ Michael S Tooms
|
| Page. NO
|
:
|
1 online resource
|
| ISBN
|
:
|
9781119021773
|
|
|
:
|
: 1119021774
|
|
|
:
|
: 9781119021797
|
|
|
:
|
: 1119021790
|
|
|
:
|
: 9781119021780
|
|
|
:
|
: 1119021782
|
|
|
:
|
9781119021766
|
|
|
:
|
1119021766
|
| Bibliographies/Indexes
|
:
|
Includes bibliographical references and index
|
| Contents
|
:
|
Colour Reproduction in Electronic Imaging Systems; Contents; Preface; Acknowledgements; About the Companion Website; Introductions; The Book; The Colour Reproduction Workbook; Part 1 Colour -- Perception, Characteristics and Definition; Introduction; 1 The Perception of Colour; 1.1 Introduction; 1.2 Setting the Scene; 1.2.1 The Historic Developments Leading to an Understanding of Colour Perception; 1.2.2 Surface Colours; 1.3 Characterising the Responses of the Eye to Light; 1.4 The Three Characteristics of the Eye Relevant to Reproduction
|
|
|
:
|
1.5 The Quantitative Response or Tonal Range of the Eye1.6 The Qualitative Response of the Eye; 2 Mapping, Mixing and Categorising Colours; 2.1 Primary Colours; 2.1.1 Additive Primaries; 2.1.2 Subtractive Primaries; 2.1.3 The Non-Primaries; 2.1.4 Primaries in Reproduction; 2.2 Colour Mixing; 2.2.1 Grassmans Law; 2.3 Colour in Three Dimensions; 2.3.1 The Simple Three-Dimensional Colour Space; 2.3.2 The Lightness Axis; 2.3.3 The Tone Scale; 2.4 Colour Terminology; 2.5 Categorising Colours; 2.5.1 The Munsell Colour System; 2.6 The Effects of Illumination on the Perception of Colour
|
|
|
:
|
Part 2 The Measurement and Generation of ColourIntroduction; 3 A Practical Approach to the Measurement of Colour; 3.1 The Fundamentals of Colour Measurement; 3.1.1 Establishing a Method for the Measurement of Colour; 3.2 Colour Matching Functions; 3.2.1 Selecting the Primaries; 3.2.2 The Colorimeter for Deriving the Colour Matching Functions; 3.2.3 The Observers; 3.2.4 Matching the Spectrum; 3.2.5 Observer Results; 3.3 Measuring Colour with the CMFs; 3.4 Chromaticity Diagrams; 3.4.1 Reducing Colour to a Two-Dimensional Quantity; 3.4.2 Three Steps to Producing a Chromaticity Diagram
|
|
|
:
|
3.4.3 Characteristics of the Chromaticity Diagram3.4.4 Plotting Colours on the Chromaticity Diagram; 4 Colour Measurement Standardisation -- The CIE System of Colour Measurement; 4.1 Limitations of the Fundamental Approach to Colour Measurement; 4.2 The CIE; 4.3 The CIE 1931 Standard Observer; 4.4 The CIE 1931 X, Y, Z System of Colour Measurement; 4.4.1 Ensuring that One Primary Carries All the Luminance Information; 4.4.2 Transforming the R, G, B Diagram to the X, Y, Z Diagram; 4.4.3 The Transformation Process; 4.4.4 The X, Y, Z CMFs; 4.4.5 The 1931 CIE Chromaticity Diagram
|
|
|
:
|
4.4.6 Colour Measurement Using thē x(),̄ y(),̄ z() CMFs4.5 Transforming the CIE X, Y, Z Parameters to Perceptually Related Parameters; 4.6 The CIE 1976 UCS Diagram; 4.6.1 Subjective Limitations of the CIE 1931 Chromaticity Diagram; 4.6.2 The UCS Diagram; 4.6.3 Comparing the Two CIE Chromaticity Diagrams; 4.7 The CIE 1976 (L*, u*, v*) Colour Space; 4.7.1 Establishing a Perceptively Uniform Colour Space; 4.7.2 Specifying the Lightness Characteristic; 4.7.3 Constructing the Perceptibly Uniform Colour Space; 4.7.4 Measuring Colour Difference
|
| Abstract
|
:
|
With the move of cinema away from film, the adoption of electronic-based production throughout all media is now complete. In order to exploit its advantages, the accurate definition, measurement and reproduction of colour has become more important than ever to achieve the best fidelity of colour reproduction. This book is concerned with providing readers with all they need to know about colour: how it is perceived and described, how it is measured and generated and how it is reproduced in colour systems. It serves as both a tutorial and a reference book, defining what we mean by colour and providing an explanation of the proper derivation of chromaticity charts and through to the means of ensuring accurate colour management
|
| Subject
|
:
|
Color display systems.
|
| Subject
|
:
|
Color television.
|
| Subject
|
:
|
Color cinematography-- Equipment and supplies.
|
| Subject
|
:
|
Color photography-- Digital techniques.
|
| Subject
|
:
|
Color sensitometry (Photography)
|
| Dewey Classification
|
:
|
621.382
|
| LC Classification
|
:
|
TK6670
|
| Added Entry
|
:
|
Ohio Library and Information Network.
|
| Parallel Title
|
:
|
Color reproduction in electronic imaging systems
|