| Document Type
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BL
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| Record Number
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706644
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| Doc. No
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b528833
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| Main Entry
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Sell, Mike,1967-
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| Title & Author
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Avant-garde performance the limits of criticism : : approaching the Living Theatre, happenings/Fluxus, and the Black Arts movement /\ Mike Sell
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| Publication Statement
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Ann Arbor :: University of Michigan Press,, c2005
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| Series Statement
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Theater--theory/text/performance
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| Page. NO
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vi, 327 p. :: ill. ;; 24 cm
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| ISBN
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0472114956
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: 9780472114955
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| Notes
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Originated in the author's dissertation
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| Bibliographies/Indexes
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Includes bibliographical references (p. 291-313) and index
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| Contents
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Introduction: The Revolution Will Not Be Theorized -- Case 1: The Connection: Cruelty, Jazz, and Drug War, 1959---1963 -- Chapter 1: Cruelty and the Cold War -- Chapter 2: Jazz and Drug War -- Case 2: Happenings, Fluxus, and the Production of Memory -- Chapter 3: Bad Memory -- Chapter 4: The Avant-Garde Disappears -- Chapter 5: Performance and the Mode of Production -- Case 3: The Black Arts Movement: Text, Performance, Blackness -- Chapter 6: Blackness as Critical Practice -- Chapter 7: Blackness and Text -- Chapter 8: Was the Black Arts Movement an Avant-Garde?
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| Subject
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Living Theatre (New York, N.Y.)
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| Subject
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Avant-garde (Aesthetics)-- United States-- History-- 20th century
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| Subject
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Black Arts movement
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| Subject
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Fluxus (Group of artists)
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| LC Classification
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PN2297.L5S45 2005
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| Parallel Title
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Avant-garde performance and the limits of criticism
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