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" The rise of performance studies : "
edited by James M. Harding and Cindy Rosenthal
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BL
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| Record Number
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711012
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| Doc. No
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b533201
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| Title & Author
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The rise of performance studies : : rethinking Richard Schechner's broad spectrum /\ edited by James M. Harding and Cindy Rosenthal
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| Publication Statement
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Basingstoke ;New York :: Palgrave Macmillan,, 2011
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| Series Statement
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Studies in international performance
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| Page. NO
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xiv, 295 p. :: ill. ;; 23 cm
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| ISBN
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023024291X (hbk.)
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: 9780230242913 (hbk.)
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| Bibliographies/Indexes
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Includes bibliographical references and index
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| Contents
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Introduction: the rise of performance studies / James Harding and Cindy Rosenthal -- pt. 1. Performance/theatre/studies. Performance studies and the enhancement of theatre studies / Marvin Carlson -- In defense of the string quartet: an open letter to Richard Schechner / Stephen Bottoms -- Experimenting with an unfinished discipline: Richard Schechner, the avant-garde, and performance studies / James M. Harding and Cindy Rosenthal -- pt. 2. Performance studies genealogies. Wayang studies? / Paul Rae -- Today I am a field: performance studies comes of age / Henry Bial -- Richard Schechner and performance studies in China / Yu Jiancun and Peng Yongwen -- Australian performance studies marginally off centre / Peter Eckersall -- pt. 3. Working with Richard. Reactuals: from personal to critical and back / Rebecca Schneider -- Fanning the flames: Richard Schechner's TDR / Mariellen R. Sandford -- Liminal Richard: approaches to performance studies / John Emigh -- The broadest spectrum of pluralities: performance studies, theatre practices, theatre histories, and beyond / Phillip Zarrilli -- pt. 4. Practicing performance: Schechner among the performers. Richard Schechner / Judith Malina -- Joan MacIntosh: interview, July 2008 / Cindy Rosenthal -- Elizabeth LeCompte: interview, June 2008 / Cindy Rosenthal -- For Richard / Anna Deavere Smith -- Performing against the backdrop of the War on Terror / Guillermo Gómez-Peña -- pt. 5. Engaging dialogue: Schechner as critical interlocutor. Trauma as durational performance / Diana Taylor -- Medical clowning and performance theory / Atay Citron -- Restored restored behavior or the emperor of California roll: 1989-90 Japanese imperial rites of funeral and enthronement / Takahashi Yuichiro -- "Deep play, dark play": framing the limit(less) / Joseph Roach
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| Subject
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Schechner, Richard,1934-Criticism and interpretation
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| Subject
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Performing arts
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| Subject
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Theater-- Anthropological aspects
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| Dewey Classification
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791
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| LC Classification
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PN2041.A57R57 2011
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| Added Entry
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Harding, James Martin,1958-
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Rosenthal, Cindy,1954-
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