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" Semiotics of Classical Music : "
Eero Tarasti
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BL
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| Record Number
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718811
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b538501
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| Main Entry
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Eero Tarasti
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| Title & Author
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Semiotics of Classical Music : : How Mozart, Brahms and Wagner Talk to Us.\ Eero Tarasti
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| Publication Statement
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Boston: De Gruyter., De Gruyter.
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| Series Statement
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Semiotics, Communication and Cognition [SCC], 10
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| Page. NO
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| ISBN
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1614511438
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: 9781614511434
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| Contents
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Frontmatter --;Contents --;Preface --;Prelude: Music --;A Philosophico-Semiotic Approach --;Chapter 1. Introduction to a Philosophy of Music --;Part I. THE CLASSICAL STYLE --;Chapter 2. Mozart, or, the Idea of a Continuous Avant-garde --;Chapter 3. Existential and Transcendental Analysis of Music --;Chapter 4. Listening to Beethoven: Universal or National, Classic or Romantic? --;Part II. The Romantic Era --;Chapter 5. The irony of romanticism --;Chapter 6." ... ein leiser Ton gezogen ... ": Robert Schumann's Fantasie in C major (op. 17) in the light of existential semiotics --;Chapter 7. Brahms and the "Lyric I": A Hermeneutic Sign Analysis --;Chapter 8. Brünnhilde's Choice; or, a Journey into Wagnerian Semiosis: Intuitions and Hypotheses --;Chapter 9. Do Wagner's leitmotifs have a system? --;Part III. Rhetorics and Synaesthesias --;Chapter 10. Proust and Wagner --;Chapter 11. Rhetoric and Musical Discourse --;Chapter 12. The semiosis of light in music: from synaesthesias to narratives --;Chapter 13. The implicit musical semiotics of Marcel Proust --;Chapter 14. M.K. Čiurlionis and the interrelationships of arts --;Chapter 15. Čiurlionis, Sibelius and Nietzsche: Three profiles and interpretations --;Part IV. In the Slavonic World --;Chapter 16. An essay on Russian music --;Chapter 17. The stylistic development of a composer as a cognition of the musicologist: Bohuslav Martinů --;Postlude I --;Chapter 18. Do Semantic Aspects of Music Have a Notation? --;Postlude II --;Chapter 19. Music --;Superior Communication --;Glossary of Terms --;Bibliography --;Index of persons and musical works.
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| Abstract
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Music intrudes to our most intimate subjectivity, thus making it a privileged field to which so-called "existential semiotics", a new theory and philosophy developed by the author himself, may be applied.
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| Subject
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Klassische Musik.
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Music -- Philosophy and aesthetics.
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Music -- Semiotics.
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| Added Entry
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703 GBV
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Eero Tarasti
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