رکورد قبلیرکورد بعدی

" Displacement, Belonging, Photography: Gender and Iranian Identity in Shirin Neshat's 'The Women of Allah' (1993–7) and 'The Book of Kings' (2012) "


Document Type : Latin Dissertation
Language of Document : English
Record Number : 803428
Doc. No : TL48216
Call number : ‭1682047931;‮ ‬1588175‬
Main Entry : Smail, Gareth C.
Title & Author : Displacement, Belonging, Photography: Gender and Iranian Identity in Shirin Neshat's 'The Women of Allah' (1993–7) and 'The Book of Kings' (2012)\ Elnaz BokharachiMesch, Claudia
College : Arizona State University
Date : 2015
Degree : M.A.
field of study : Art History
student score : 2015
Page No : 86
Note : Committee members: Anand, Julie; Ghanem, Carla; Hoy, Meredith
Note : Place of publication: United States, Ann Arbor; ISBN=978-1-321-73133-0
Abstract : Shirin Neshat is recognized as the most prominent artist of the Iranian diaspora. Her two photographic series, <i>Women of Allah</i> (1993–97) and <i>The Book of Kings</i> (2012), are both reactions to the socio-political events and the change of female identity in Iran. The search for Iranian identity has a long tradition in Iranian photography. Neshat's figures, with their penetrating gazes, heavy draperies, and body postures, make reference to nineteenth-century Qajar photography. Through various cultural elements in her artworks, Neshat critiques oppression in Iranian society. Neshat employs and inscribes Persian poetry to communicate contradiction within Iranian culture.
Subject : Art Criticism; Art history
Descriptor : Communication and the arts;Identity;Iran;Iranian diaspora;Iranian identity;Neshat, Shirin;Photography
Added Entry : Mesch, Claudia
Added Entry : Art HistoryArizona State University
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