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" Conditions of Being a Contemporary Iranian Woman: Shirin Neshat, Shirin Aliabadi, and Shadi Ghadirian's Manipulated Images of 'Real Life'—An Authentic History or a Construct of Memory? "
Michelle L. Carpanzano
Marino, Melanie
Document Type
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Latin Dissertation
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Language of Document
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English
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Record Number
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803451
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Doc. No
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TL48240
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Call number
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1689380744; 1589874
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Main Entry
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Park, Yeddi
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Title & Author
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Conditions of Being a Contemporary Iranian Woman: Shirin Neshat, Shirin Aliabadi, and Shadi Ghadirian's Manipulated Images of 'Real Life'—An Authentic History or a Construct of Memory?\ Michelle L. CarpanzanoMarino, Melanie
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College
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Sotheby's Institute of Art - New York
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Date
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2015
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Degree
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M.A.
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field of study
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Contemporary Art
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student score
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2015
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Page No
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67
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Note
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Place of publication: United States, Ann Arbor; ISBN=978-1-321-78372-8
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Abstract
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This thesis aspires to provide a working knowledge of Western ideals in photography to best evaluate and understand the contemporary works of three Iranian female photographers, Shirin Neshat, Shirin Aliabadi, and Shadi Ghadirian respectively. Framed within a discussion of Iran's socio-political climate, in-depth analyses of the aforementioned artists establish an appropriate discourse necessary to understand the relevance, value, and art emerging from Iran. Situated within a larger, more globalized frame of the contemporary art community today, applications of Iranian socio-historical methodologies provide a working knowledge of the human condition in contemporary Iran. Shirin Neshat, Shirin Aliabadi, and Shadi Ghadirian navigate the ever-oscillating identity of the Iranian woman through their photographs, delving deeper into an exploration of the nuances of life in an archaic society.
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Subject
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Middle Eastern history; Art history; Womens studies; Middle Eastern Studies
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Descriptor
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Social sciences;Communication and the arts;Iran;Middle Eastern;Photography;Women photographers
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Added Entry
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Marino, Melanie
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Added Entry
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Contemporary ArtSotheby's Institute of Art - New York
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