Francisco da Costa y su Cancionero. lírica y dramaturgia desde el exilio africano en el contexto de...

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" Francisco da Costa y su Cancionero. lírica y dramaturgia desde el exilio africano en el contexto de la unión iberica "
Vasiliki Velliou Martinez Torrejon, Jose Miguel

Document Type	:	Latin Dissertation
Language of Document	:	Spanish
Record Number	:	803625
Doc. No	:	TL48423
Call number	:	‭1725140527;‮ ‬3724561‬
Main Entry	:	Maer, Maria Natalia Damayanti
Title & Author	:	Francisco da Costa y su Cancionero. lírica y dramaturgia desde el exilio africano en el contexto de la unión iberica\ Vasiliki VelliouMartinez Torrejon, Jose Miguel
College	:	City University of New York
Date	:	2015
Degree	:	Ph.D.
field of study	:	Hispanic & Luso-Brazilian Literatures & Languages
student score	:	2015
Page No	:	489
Note	:	Committee members: Schwartz, Lia; del Valle, Jose
Note	:	Place of publication: United States, Ann Arbor; ISBN=978-1-339-08082-6
Abstract	:	During the 15<sup>th</sup> and 16<sup>th</sup> century the coast of Morocco became a bone of contention between the neighboring kingdoms of Spain and Portugal and the Ottoman Empire. Geographically privileged the city of Fes grew into a pole of attraction for traders and soldiers of fortune, turning this Mediterranean corner into a melting pot of peoples and religions. Francisco da Costa, a noble diplomat from Lisbon was sent to Fes after the Battle of the Three Kings (1578) in order to negotiate the ransom of the Spanish and Portuguese prisoners. The ambassador managed to rescue and send back to the Peninsula an elevated number of hostages but himself never left Morocco. Forgotten and abandoned by his new King, Felipe II and all the nobles he helped, he died in Fes. During the long eleven years of his mission Da Costa produced a considerable amount of poetry, both lyric and religious as well as theatrical plays, gathered in one manuscript volume, his <i>Cancionero</i>, which after his death was sent to his wife in Lisbon. This Dissertation will study this <i>Cancionero,</i> today in the possession of the National Library of Portugal, and make a critical edition of the theatrical plays that constitute a portrait of this multicultural society and of the author himself: A Christian living in the Jewish neighborhood of a predominantly Muslim society. We will examine Da Costa’s plays taken to the stage and see how under the innocent mask of entertainment lies a clear political agenda.
Subject	:	Latin American literature; Religion; Armed forces; Theater; Drama; Poetry; Negotiation; Politics; Portuguese; Spanish; Manuscripts; Multiculturalism pluralism
Descriptor	:	Language, literature and linguistics;Drama;Exile;Fes;Poetry;Portugal;Spain
Added Entry	:	Martinez Torrejon, Jose Miguel
Added Entry	:	Hispanic Luso-Brazilian Literatures LanguagesCity University of New York