رکورد قبلیرکورد بعدی

" Mixing with Impact : "


Document Type : BL
Record Number : 841294
Uniform Title : Mixen met impact.English
Main Entry : Oltheten, Wessel
Title & Author : Mixing with Impact : : Learning to Make Musical Choices /\ Wessel Oltheten ; translated by Gijs van Osch.
Publication Statement : New York :: Routledge,, 2018.
Page. NO : 1 online resource
ISBN : 1315113171
: : 1351624229
: : 1351624237
: : 1351624245
: : 9781315113173
: : 9781351624220
: : 9781351624237
: : 9781351624244
: 1138080888
: 1138080896
: 9781138080881
: 9781138080898
Notes : "Previously published in Dutch by Edusonic, 2016."
Bibliographies/Indexes : Includes bibliographical references and index.
Contents : The World of Mixing: About the Profession of This Book -- Listening: Everything Is Relative -- Laying the Foundation : Creating a Starting Position -- The Frequency Spectrum: No Light without Darkness -- Dynamics: Without Soft There Is No Loud -- Space: There's More Room than You Think -- Time and Phase: It's All About the Sum of the Parts -- Identity: A Unique Sound -- Effects: Craziness with a Purpose -- Automation: Performing the Mix -- Advanced Techniques: Exploring the Boundaries -- Bus Compression: The Sum of the Parts -- Templates: Working Faster Means a Better Mix -- Preparing for Mastering: A Good Relationship -- Mindset: A Competition against Yourself -- The Outside World: Sound Engineering Means Working for Others -- Tools: Preconditions for Mixing Reliably.
Abstract : "In Mixing with Impact: Learning to Make Musical Choices, Wessel Oltheten discusses the creative and technical concepts behind making a mix. Whether youre a dance producer in your home studio, a live mixer in a club, or an engineer in a big studio, the mindset is largely the same. The same goes for the questions you run into: where do you start? How do you deal with a context in which all the different parts affect each other? How do you avoid getting lost in technique? How do you direct your audiences attention? Why doesnt your mix sound as good as someone elses? How do you maintain your objectivity when you hear the same song a hundred times? How do your speakers affect your perception? Whats the difference between one compressor and another?Following a clear structure, this book covers these and many other questions, bringing you closer and closer to answering the most important question of all: how do you tell a story with sound?"--Provided by publisher.
Subject : Popular music-- Production and direction.
Subject : Sound recordings-- Production and direction.
Subject : MUSIC-- Instruction Study-- Theory.
Subject : Sound-- Recording and reproducing.
Dewey Classification : ‭781.3/4‬
LC Classification : ‭ML3790‬‭.O49 2018‬
Added Entry : Osch, Gijs van
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