|
" Brahms beyond mastery : "
Robert Pascall.
Document Type
|
:
|
BL
|
Record Number
|
:
|
845280
|
Main Entry
|
:
|
Pascall, Robert.
|
Title & Author
|
:
|
Brahms beyond mastery : : his Sarabande and Gavotte, and its recompositions /\ Robert Pascall.
|
Publication Statement
|
:
|
Burlington, VT :: Ashgate,, 2013.
|
Series Statement
|
:
|
Royal Musical Association monographs ;; 21
|
Page. NO
|
:
|
xv, 95 pages, 4 unnumbered pages of plates :: illustrations (some color), music ;; 25 cm.
|
ISBN
|
:
|
1409465578
|
|
:
|
: 9781409465577
|
Bibliographies/Indexes
|
:
|
Includes bibliographical references (pages 81-90) and index.
|
Contents
|
:
|
The Sarabande and Gavotte -- The second string sextet, op. 36, and its second movement -- The first string quintet, op. 88, and its second movement -- The clarinet quintet, op. 115.
|
Abstract
|
:
|
"In 1853 Robert Schumann identified fully-formed compositional mastery in the young Brahms, who nevertheless in the years following embarked on a period of intensive further study, producing, among other works, the neo-baroque Sarabande and Gavotte. These dances have not been properly recognized as constituting a distinct Brahms work before now, but manuscript evidence and their performance history indicate that Brahms and his friends thought of them as such in the mid-1850s, when they became the first music of his performed publicly in Gdansk, Vienna, Budapest and London. He later suppressed the dances, using them instead as a thematic quarry for three chamber music masterpieces, from different stages in his life and in distinctly different ways: the Second String Sextet, the First String Quintet and the Clarinet Quintet. This book gives an account of the compositional and performance history, stylistic features and re-uses of the dances, setting these in the wider context of Brahms's developing creative concerns and trajectory. It constitutes therefore a study of a 'lost' work, of how a fully-formed master opens himself to 'the in-flowing from afar' (in Martin Heidegger's terms), and of the transformative reach and concomitant expressive richness of Brahms's creative thought."--Pub. desc.
|
Subject
|
:
|
Brahms, Johannes,1833-1897-- Criticism and interpretation.
|
|
:
|
Brahms, Johannes,1833-1897., Gavottes,WoO 3,piano.
|
|
:
|
Brahms, Johannes,1833-1897., Sarabands,WoO 5,piano.
|
|
:
|
Brahms, Johannes,1833-1897.
|
Subject
|
:
|
Gavotter.
|
Subject
|
:
|
Sarabander-- historia.
|
Dewey Classification
|
:
|
784.18/83092
|
LC Classification
|
:
|
ML410.B8P26 2013
|
| |