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" The art of producing : "
David Gibson and Maestro B. Curtis.
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BL
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| Record Number
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846479
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| Main Entry
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Gibson, David,1957-
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| Title & Author
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The art of producing : : how to create great audio projects /\ David Gibson and Maestro B. Curtis.
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| Edition Statement
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Second edition.
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| Publication Statement
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London :: Routledge,, 2018.
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| Page. NO
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1 online resource :: illustrations (black and white, and colour)
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| ISBN
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1351252437
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: 1351252445
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: 1351252453
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: 1351252461
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: 9781351252430
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: 9781351252447
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: 9781351252454
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: 9781351252461
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0815369387
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0815369395
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9780815369387
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9780815369394
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| Contents
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<P>TABLE OF CONTENTS</P><P></P><P>LIST OF VISUALS</P><P>ACKNOWLEDGMENTS</P><P>FOREWARD</P><P>INTRODUCTION </P><U><P></P><P>SECTION 1 -- THE PRODUCER'S JOB</P></U><P>Chapter 1</P><P>• Types of Producers </P><P>• What it Takes and How to Get the Job </P><P>• Types of Projects</P><P>• The Producing Process </P><P></P><B><U><P>SECTION 2 -- THE BUSINESS SIDE OF PRODUCTION</P></U><P>Chapter 2 -- Finances, Organization and Politics</P></B><P>• Budgeting Scheduling and Organization </P><P>• Obtaining Financial Backing </P><P>• Dealing with Record Companies</P><P>• Establishing a Network Base</P><P></P><B><U><P>SECTION 3 -- THE VIRTUAL MIXER CONCEPT</P></U><P>Chapter 3 -- Visual Representations of Imaging as a Tool for Production</P></B><P>• Basics of Audio to Visual Mapping</P><P></P><B><U><P>SECTION 4 -- MUSIC THEORY FOR RECORDING ENGINEERS AND PRODUCERS</P></U><P>Chapter 4 -- Music Theory Primer </P></B><P>• Time</P><P>- Note Values</P><P>- Time Signatures</P><P>- Tempo</P><P>- Rhythmical Structures</P><P>• Pitch (Frequency)</P><P>- Key Signatures</P><P>- Intervals</P><P>- Scales</P><P>- Chords</P><P>- Chord Voicing </P><P>- Spreads</P><P>- Circle of fifths</P><P>• Volume</P><P>- Musician Dynamics</P><P>• Song Structures and Musical Charts </P><P>- Phrases</P><P>- Repeat Signs</P><P>- Shorthand Chord Charts</P><P></P><B><U><P>SECTION 5 -- THE PRODUCTION PROCESS</P></U><P>Chapter 5 -- The Pre-Production Process </P></B><P>• Setting up the Meeting and Doing your Homework</P><P>• People skills</P><P>- Deciding on Deciding</P><P>- Passion and Referees</P><P>- Producer Passion </P><P>- How Important is it</P><P>- Consideration</P><P>- Time Constraints</P><P></P><B><P>Chapter 6 -- Dynamic Flows</P><P></P><P>Chapter 7 -- Structuring and Critiquing the 13 Aspects </P></B><P>• Concept</P><P>• Melody</P><P>• Rhythm</P><P>• Harmony</P><P>• Lyrics</P><P>• Density</P><P>• Instrumentation</P><P>• Song Structure</P><P>• Performance</P><P>• Mix</P><P>• Quality of the Equipment </P><P></P><B><P>Chapter 8 -- Higher Level Concepts</P></B><P>• Creating a Style of Music</P><P>• Order of the Songs </P><P>• Concept Albums</P><P></P><B><P>Chapter 9 -- Producing in the Studio</P></B><P>• Critiquing a Performance</P><P>- Critiquing the whole band at once</P><P>- Critiquing Individual Performances</P><P>• Focus and Concentration</P><P>• Other Contributing Factors</P><P></P><B><P>Chapter 10 -- Overall Production Goals</P></B><P>• Combining the 13 Aspects to Create an Overall Major Production</P><P>• High Level Producer Values </P><P>• Overproducing</P><B><U><P></P><P>SECTION 6 -- CREATIVITY</P></U><P>Chapter 11 -- Tapping into the Source -- Inspiring Creativity </P><P>Chapter 12 -- Balancing Creativity and Mass Appeal (Industry Trends) </P><P>Chapter 13 -- Moment-to-Moment Awareness</P><P>Chapter 14 -- Songwriting</P></B><P></P><B><U><P>SECTION 7 -- SELECTING A PRODUCER / BECOMING A PRODUCER</P></U><P>Chapter 15 -- Choosing a Producer</P></B><P>• What to Look For in a Producer</P><P>• Finding a Producer</P><P>• How to Interview a Producer</P><P>• How to Present Yourself to a Producer</P><P></P><B><P>Chapter 16 -- Selling Yourself as a Producer </P></B><P>• Getting the Job -- Finding Bands</P><P>• Poop Sheets</P><P>• Rate Sheets</P><P></P><B><U><P>SECTION 8 -- PROTECTING YOUR MUSIC</P></U><P>Chapter 17 -- Protection</P></B><P>• Copyrights</P><P>• Record Deal Points and Percentages</P><P>• Negotiating Record Deals</P><P></P><B><P>ABOUT THE AUTHORS</P></B><P></P><B><U><P>APPENDICES</P></B></U><P>A. Checklist of all homework to be done before the Pre-Production meeting</P><P>B. Nomenclature and Monosyllables for Describing Musical and Rhythmical Patterns <BR>C. Forms</P><P>D. Virtual Mixer Interface </P><P></P><B><P>GLOSSARY</P><P></P><P>INDEX</B> </P><P></P><P> </P>
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| Subject
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Popular music-- Production and direction.
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| Subject
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Sound recordings-- Production and direction.
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| Subject
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Sound recordings-- Production and direction.
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| Dewey Classification
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781.49
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| Added Entry
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Curtis, Maestro B.
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