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" Making easy listening : "


Document Type : BL
Record Number : 846735
Main Entry : Anderson, Tim J.
Title & Author : Making easy listening : : material culture and postwar American recording /\ Tim J. Anderson.
Publication Statement : Minneapolis :: University of Minnesota Press,, ©2006.
Series Statement : Commerce and mass culture series
Page. NO : 1 online resource (xliv, 236 pages) :: illustrations.
ISBN : 0816645175
: : 0816645183
: : 0816696950
: : 9780816645176
: : 9780816645183
: : 9780816696956
: 0816645175
: 0816645183
: 9780816645176
: 9780816645183
Bibliographies/Indexes : Includes bibliographical references (pages 217-231) and index.
Contents : Introduction : opening tracks -- Managing the recording process and rethinking the recording bans. Buried under the fecundity of his own creations : the first strike of the American Federation of Musicians ; Counterreform and resignation : the second strike of the American Federation of Musicians -- Production, reproduction, and the case of My fair lady. Which voice best becomes the property? stitching the intertext of My fair lady ; Listening to my My fair lady : versioning and the recorded music object -- Stereo, hi-fi, and the modern pleasures of easy listening. A tale of two ears : the concert hall aesthetic and stereo ; Space, the pliable frontier : stereo as the new spatial palette of audio -- Conclusion : the flip side (and a few concluding thoughts).
Abstract : In Making Easy Listening, Tim J. Anderson analyzes the period between the Second World War and the mid-1960s that saw the American music industry engaged in a fundamental transformation in how music was produced and experienced. Anderson presents a social and cultural history of musical production that aims to understand how recording technologies influence musicians', as well as listeners', lives.
Subject : Popular culture-- United States-- History-- 20th century.
Subject : Sound recording industry-- United States-- History.
Subject : Sound recordings-- Production and direction-- United States.
Subject : MUSIC-- History Criticism.
Subject : MUSIC-- Recording Reproduction.
Subject : Popular culture.
Subject : Sound recording industry.
Subject : Sound recordings-- Production and direction.
Subject : United States.
Dewey Classification : ‭781.490973‬
LC Classification : ‭ML3790‬‭.A63 2006eb‬
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