| Document Type
|
:
|
BL
|
| Record Number
|
:
|
847283
|
| Main Entry
|
:
|
Tatsumi, Takayuki,1955-
|
| Title & Author
|
:
|
Full metal apache : : transactions between cyberpunk Japan and avant-pop America /\ Takayuki Tatsumi.
|
| Publication Statement
|
:
|
Durham [NC] :: Duke University Press,, ©2006.
|
| Series Statement
|
:
|
Post-contemporary interventions
|
| Page. NO
|
:
|
1 online resource (xxvi, 241 pages) :: illustrations
|
| ISBN
|
:
|
0822388014
|
|
|
:
|
: 9780822388012
|
|
|
:
|
0822337622
|
|
|
:
|
0822337746
|
|
|
:
|
9780822337621
|
|
|
:
|
9780822337744
|
| Bibliographies/Indexes
|
:
|
Includes bibliographical references (pages 223-235) and index.
|
| Contents
|
:
|
Foreword / Larry McCaffery -- Introduction: Anatomies of Dependence -- Part One Theory -- Chapter 1. Mikadophilia, or The Fate of Cyborgian Identity in the Postmillenarian Milieu -- Chapter 2. Comparative Metafiction: Somewhere between Ideology and Rhetoric -- Part Two History -- Chapter 3. Virus as Metaphor: A Postorientalist Reading of the Future War Novels of the 1890s -- Chapter 4. Deep North Gothic: A Postoccidentalist Reading of Hearne, Yanagita, and Akutagawa -- Chapter 5. Which Way to Coincidence?: A Queer Reading of J.G. Ballard's Crash -- Chapter 6. A Manifesto for Gynoids: A Cyborg Feminist Reading of Richard Calder -- Part Three Aesthetics -- Chapter 7. Semiotic Ghost Stories: The Japanese Reflection of Mirrorshades -- Chapter 8. Junk Art City, or How Gibson Meets Thomasson in Virtual Light -- Chapter 9. Pax Exotica: A new exoticist perspective on Audrey, Anna-chan, and Idoru -- Part Four Performance -- Chapter 10. Magic Realist Tokyo: Poe's "The Man That Was Used Up" as a Subtext for Bartók-Terayama's Magical Musical The Miraculous Mandarin -- Part Five Representation -- Chapter 11. Full Metal Apache: Shinya Tsukamoto's Tetsuo Diptych, or The Impact of American Narratives on the Japanese Representation of Cyborgian Identity -- Conclusion: Waiting for Godzilla: Toward a globalist theme park -- Appendix 1: Toward the Frontiers of Fiction: From Metafiction and Cyberpunk through Avant-Pop, The Correspondence between Takayuki Tatsumi and Larry McCaffery -- Appendix 2: A Dialogue with the Nanofash Pygmalion: An Interview with Richard Calder.
|
| Abstract
|
:
|
Compares modern science fiction and the avant garde pop scene in America and Japan.
|
| Subject
|
:
|
American fiction-- Foreign influences.
|
| Subject
|
:
|
American fiction-- 20th century-- History and criticism.
|
| Subject
|
:
|
Japanese fiction-- Foreign influences.
|
| Subject
|
:
|
Japanese fiction-- 20th century-- History and criticism.
|
| Subject
|
:
|
Science fiction, American-- History and criticism.
|
| Subject
|
:
|
Science fiction, Japanese-- History and criticism.
|
| Subject
|
:
|
Roman américain-- Influence étrangère.
|
| Subject
|
:
|
Roman américain-- 20e siècle-- Histoire et critique.
|
| Subject
|
:
|
Roman japonais-- Influence étrangère.
|
| Subject
|
:
|
Roman japonais-- 1868-Histoire et critique.
|
| Subject
|
:
|
Roman japonais-- 20e siècle-- Histoire et critique.
|
| Subject
|
:
|
Science-fiction américaine-- Histoire et critique.
|
| Subject
|
:
|
Science-fiction japonaise-- Histoire et critique.
|
| Subject
|
:
|
American fiction-- Foreign influences.
|
| Subject
|
:
|
American fiction.
|
| Subject
|
:
|
Japanese fiction.
|
| Subject
|
:
|
LITERARY CRITICISM / Asian / General
|
| Subject
|
:
|
LITERARY CRITICISM-- Asian-- General.
|
| Subject
|
:
|
Science fiction, American.
|
| Subject
|
:
|
Science fiction, Japanese.
|
| Dewey Classification
|
:
|
895.6/30876209044
|
| LC Classification
|
:
|
PL747.55.T37 2006
|