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" Homer in performance : "


Document Type : BL
Record Number : 850759
Title & Author : Homer in performance : : rhapsodes, narrators, and characters /\ edited by Jonathan L. Ready and Christos C. Tsagalis.
Edition Statement : First edition.
Publication Statement : Austin :: University of Texas Press,, 2018.
: , ©2018
Series Statement : Ashley and Peter Larkin series in Greek and Roman culture
Page. NO : ix, 430 pages :: illustrations, maps ;; 24 cm.
ISBN : 1477316035
: : 9781477316030
: 9781477316047
: 9781477316054
Bibliographies/Indexes : Includes bibliographical references and indexes.
Contents : Introduction / Jonathan L. Ready and Christos C. Tsagalis -- pt. 1. Rhapsodes -- Performance contexts for rhapsodic recitals in the archaic and classical periods / Christos C. Tsagalis -- Reading rhapsodes on Athenian vases / Sheramy D. Bundrick -- Performance contexts for rhapsodic recitals in the Hellenistic period / Christos C. Tsagalis -- Rhapsodes and rhapsodic contests in the imperial period / Anne Gangloff -- Formed on the festival stage : plot and characterization in the iliad as a competitive collaborative process / Mary R. Bachvarova -- Did Sappho and Homer ever meet? comparative perspectives on homeric singers / Olga Levaniouk -- pt. 2. Narrators and characters -- Odysseus polyonymous / Deborah Beck -- Embedded focalization and free indirect speech in Homer as viewpoint blending / Anna Bonifazi -- Speech training and the mastery of context : Thoas the Aetolian and the practice of muthoi / Joel P. Christensen -- Diomedes as audience and speaker in the Iliad / James O'Maley -- Hektor, the marginal hero : performance theory and the Homeric monologue / Lorenzo F. Garcia Jr -- Performance, oral texts, and entextualization in Homeric epic / Jonathan L. Ready -- Homer's rivals? internal narrators in the Iliad / Adrian Kelly.
Abstract : "Before they were written down, the poems attributed to Homer were performed orally, usually by rhapsodes (singers/reciters) who might have traveled from city to city or enjoyed a position in a wealthy household. Even after the Iliad and the Odyssey were committed to writing, rhapsodes performed the poems at festivals, often competing against each other. As they recited the epics, the rhapsodes spoke as both the narrator and the characters. These different acts-performing the poem and narrating and speaking in character within it-are seldom studied in tandem. Homer in Performance breaks new ground by bringing together all of the speakers involved in the performance of Homeric poetry: rhapsodes, narrators, and characters." -- Publisher's description
Subject : Homer-- Criticism, Textual.
: Homer.
: Homerus, ca. v8. Jh.
Subject : Epic poetry, Greek-- History and criticism-- Theory, etc.
Subject : Oral interpretation of poetry.
Subject : Oral tradition-- Greece.
Subject : Performing arts-- Appreciation-- Greece.
Subject : Oral interpretation of poetry.
Subject : Oral tradition.
Subject : Performanz
Subject : Rezeption
Subject : Sprechtheater
Subject : Greece.
Dewey Classification : ‭883/.01‬
LC Classification : ‭PA4037‬‭.H77474 2018‬
Added Entry : Ready, Jonathan L.,1976-
: Tsagalis, Christos
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