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" Mendelssohn, the organ, and the music of the past : "
edited by Jürgen Thym.
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BL
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| Record Number
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853654
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| Title & Author
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Mendelssohn, the organ, and the music of the past : : constructing historical legacies /\ edited by Jürgen Thym.
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| Publication Statement
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Rochester, NY :: University of Rochester Press,, 2014.
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, ©2014
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| Series Statement
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Eastman studies in music,; v. 118
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| Page. NO
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1 online resource
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| ISBN
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1580468705
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: 9781580468701
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1580464742
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9781580464741
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| Bibliographies/Indexes
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Includes bibliographical references and index.
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| Contents
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Mendelssohn and the contrapuntal tradition / R. Larry Todd -- Mendelssohn and the Catholic tradition : Roman influences on his Kirchen-Musik, op. 23 and Drei Motetten, op. 39 / Siegwart Reichwald -- Mendelssohn and the legacy of Beethoven's Ninth : vocality in the "Reformation" symphony / Peter Mercer-Taylor -- Mendelssohn and the organ / Wm. A. Little -- Some observations on Mendelssohn's Bach recital / Russell Stinson -- "He ought to have a statue" : Mendelssohn, Gauntlett, and the English organ Reform / Nicholas Thistlethwaite -- Mendelssohn's Sonatas, op. 65, and the Craighead-Saunders organ at the Eastman School of Music : aspects of performance practice and context / Hans Davidsson -- The Bach tradition among the Mendelssohn ancestry / Christoph Wolff -- Music history as sermon : style, form, and narrative in Mendelssohn's "Dürer" cantata (1828) / John Michael Cooper -- Mendelssohn's "authentic" Handel in context : German approaches to translation and art and architectural restoration in the early nineteenth century / Glenn Stanley -- Beyond the ethical and aesthetic : on reconciling religious art with secular art-religion in Mendelssohn's "Lobgesang" / Benedict Taylor -- Mendelssohn's religious worlds : currents and crosscurrents of Protestantism in nineteenth-century Germany and Great Britain / Celia Applegate.
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| Abstract
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By upbringing, family connections, and education, Felix Mendelssohn was ideally positioned to contribute to the historical legacies of the German people, who in the aftermath of the Napoleonic Wars discovered that they were a nation with a distinct culture. The number of cultural icons of German nationalism that Mendelssohn "discovered," promoted, or was asked to promote (by way of commissions) in his compositions is striking: Gutenberg and the invention of the printing press, Dürer and Nuremberg, Luther and the Augsburg Confession as the manifesto of Protestantism, Bach and the St. Matthew Passion, Beethoven and his claims to universal brotherhood. The essays in this volume investigate Mendelssohn's relationship to the music of the past from a variety of perspectives, including the pervasive presence of Bach's music within the larger Mendelssohn family, the influence of Beethoven in the Reformation Symphony, and Mendelssohn's compositions for organ and his relationship to English organs in particular. Together, they shed light on the construction of legacies that, in some cases, served to assert German cultural supremacy only two decades after the composer's death.
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Mendelssohn-Bartholdy, Felix,1809-1847.
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Mendelssohn-Bartholdy, Felix,1809-1847.
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| Subject
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Organ music-- Germany-- 19th century-- History and criticism.
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MUSIC-- Genres Styles-- Classical.
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MUSIC-- Individual Composer Musician.
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MUSIC-- Reference.
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Organ music.
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Germany.
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| Dewey Classification
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780.92
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| LC Classification
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ML410.M5M635 2014
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| Added Entry
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Thym, Jürgen,1943-
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