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" Beyond Fingal's cave : "
James Porter.
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BL
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| Record Number
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856400
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| Main Entry
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Porter, James,1937-
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| Title & Author
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Beyond Fingal's cave : : Ossian in the musical imagination /\ James Porter.
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| Publication Statement
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Rochester :: University of Rochester Press,, 2019.
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| Series Statement
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Eastman studies in music ;; volume 158
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| Page. NO
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1 online resource
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| ISBN
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1787444627
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: 9781787444621
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1580469450
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9781580469456
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Includes bibliographical references and index.
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| Contents
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Battling critics, engaging composers : Ossian's spell -- On Macpherson's native heath : primary sources -- A culture without writing, settings without a score, Haydn without copyright, and two Oscars on stage -- "A musical piece" : Harriet Wainewright's opera Coma?ala (1792) -- Between Gluck and Berlioz : Ma?ehul's Uthal (1806) -- Fingallo e Comala (1805) and Ardano e Dartula (1825) : the Ossianic operas of Stefano Pavesi -- From Venice to Lisbon and St. Petersburg : Calto, Clato, Aganadeca, Gaulo ed Oitona, and two Fingals -- Beethoven's Ossianic manner, or, Where scholars fear to tread -- Excursus: Mendelssohn waives the rules : "Overture to the Isles of Fingal" (1832) and an "unfinished" coda -- The maiden bereft : "Colma" from Rust (1780) to Schubert (1816) -- Sca?enes lyriques sans frontia?eres : Louis Tha?eodore Gouvy's Le dernier hymne d'Ossian (1858) and Lucien Hillemacher's Fingal (1880) -- Ossian in symbolic conflict : Bernhard Hopffer's Darthula's Grabgesang (1878), Jules Bordier's Un ra?eve d'Ossian (1885), and Paul Umlauft's Agandecca (1884) -- The musical stages of "Darthula" : from Thomas Linley the Younger (ca. 1776) to Arnold Schoenberg (1903) and Armin Knab (1906) -- The cantata as drama : Joseph Jongen's Comala (1897), Jørgen Malling's Kyvala (1902), and Liza Lehmann's Leaves from Ossian (1909) -- Symphonic poem and orchestral fantasy : Alexandre Levy's Comala (1890) and Charles Villiers Stanford's Irish rhapsody no. 2: Lament for the son of Ossian (1903) -- Neo-Romanticism in Britain and America : John Laurence Seymour's "Shilric's song" (from Six Ossianic odes) and Cedric Thorpe Davie's Dirge for Cuthullin (both 1936) -- Modernity, modernism, and Ossian : Erik Chisholm's Night song of the bards (1944-51), James MacMillan's The death of Oscar (2013), and Jean Guillou's Ballade ossianique, no. 2: Les chants de Selma (1971, rev. 2005) -- Afterword: The "half-viewless harp"--secondary resonances of Ossian -- Appendix I: Title page and dedication of Harriet Wainewright's Coma?ala -- Appendix 2: French and German texts of Louis Tha?eodore Gouvy's Le dernier hymne d'Ossian -- Appendix 3: Texts of Erik Chisholm's Night song of the bards -- Appendix 4: Provisional list of musical compositions based on the poems of Ossian.
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| Abstract
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Demonstrates the profound impact of The Poems of Ossian on composers of the Romantic Era and later: Beethoven, Schubert, Mendelssohn, Brahms, Massenet, and many others.
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Ossian,active 3rd century.
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Ossian,active 3rd century.
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| Subject
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Music-- 19th century-- History and criticism.
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Music-- 20th century-- History and criticism.
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Romanticism in music.
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LITERARY CRITICISM-- Poetry.
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MUSIC-- Genres Styles-- Classical.
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MUSIC-- Reference.
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Music.
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Romanticism in music.
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| Dewey Classification
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780.9/034
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| LC Classification
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ML196.P67 2019
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