| Document Type
|
:
|
BL
|
| Record Number
|
:
|
859909
|
| Main Entry
|
:
|
Calegario, Filipe
|
| Title & Author
|
:
|
Designing digital musical instruments using Probatio : : a physical prototyping toolkit /\ Filipe Calegario.
|
| Publication Statement
|
:
|
Cham, Switzerland :: Springer Nature,, [2019]
|
| Series Statement
|
:
|
Computational synthesis and creative systems
|
| Page. NO
|
:
|
1 online resource
|
| ISBN
|
:
|
3030028925
|
|
|
:
|
: 9783030028923
|
|
|
:
|
3030028917
|
|
|
:
|
9783030028916
|
| Bibliographies/Indexes
|
:
|
Includes bibliographical references.
|
| Contents
|
:
|
Intro; Preface; Contents; Chapter 1: Introduction; 1.1 Context; 1.2 Objectives; 1.3 Approach; 1.4 Document Outline; Chapter 2: Challenges in Designing DMIs; 2.1 Digital Musical Instruments; 2.1.1 DMI Classification; 2.2 The Challenge of Multiple Combinations; 2.2.1 Gestural Controller; 2.2.2 Sound Output; 2.2.3 Mapping; 2.2.4 Feedback; 2.2.5 Summary; 2.3 The Challenge of Expressivity and Virtuosity; 2.4 The Challenge of Evaluation and Evolution; 2.5 The Challenge of No Previous Knowledge; 2.6 The Challenge of Multiple Stakeholders and Contexts of Use; 2.7 Final Considerations
|
|
|
:
|
6.2.2.1 Hybrid Instruments6.2.3 Discussion; 6.3 Morphological Chart for DMI Idea Generation; 6.3.1 What Is Morphological Analysis?; 6.3.2 Morphological Chart Based on Instrumental Inheritance; 6.4 Development of the Functional Prototyping Toolkit for DMI; 6.4.1 Guidelines; 6.4.2 Implementation Decisions; 6.4.3 Physical Structure; 6.4.4 Connection Slots; 6.4.5 Blocks; 6.5 Final Considerations; Chapter 7: Evaluation of Probatio 0.1; 7.1 Description; 7.2 Evaluation; Chapter 8: Evaluation of Probatio 0.2; 8.1 Evolution from Probatio 0.1; 8.1.1 Number of Blocks and Multiple Sensors
|
|
|
:
|
8.1.2 Changing Mapping Strategy8.1.3 Sound Output Module; 8.1.4 Curved Shapes; 8.1.5 Connection Arm Support; 8.1.6 Protection and Connections to the Hub; 8.1.7 Friction of Blocks and Slots; 8.2 Experiment; 8.2.1 Objectives; 8.2.2 Design; 8.2.3 Methods for Data Collection; 8.2.3.1 Video Recording; 8.2.3.2 Questionnaire; 8.2.3.2.1 System Usability Scale; 8.2.3.2.2 Exploratory Questions; 8.2.3.3 Comparative Questions; 8.2.3.4 Semi-structured Interview; 8.2.4 Methods for Quantitative Analysis; 8.2.4.1 Video Analysis; 8.2.4.2 System Usability Scale Score; 8.2.4.3 Paired-Samples t-Test
|
|
|
:
|
8.2.4.4 Wilcoxon Signed-Rank Test8.2.5 Methods for Qualitative Analysis; 8.2.5.1 Thematic Analysis; 8.2.5.2 Coding Methods; 8.2.6 Setup; 8.2.6.1 Hardware; 8.2.6.2 Software: Mapping and Sound; 8.2.6.3 Generic Sensor Toolkit; 8.2.6.4 Correspondence Between Systems; 8.2.7 Technical Test Pilot; 8.2.8 Participants; 8.2.9 Experiment Protocol; 8.3 Results; 8.3.1 Quantitative Analysis; 8.3.1.1 Video Analysis; 8.3.1.1.1 Code Scheme; 8.3.1.1.2 Duration of the Interaction Phases; 8.3.1.1.3 Quantity of Transitions Between Phases; 8.3.1.1.4 Quantity of Distinct Items Used
|
|
|
:
|
Chapter 3: Design Process3.1 Idea Exploration; 3.2 Prototyping; 3.3 Final Considerations; Chapter 4: State of the Art; 4.1 Frameworks and Approaches for DMI Design; 4.2 Functional Prototype in DMI Design; 4.2.1 Tools for Physical and Functional Prototyping; 4.2.2 The Trade-Off Area; 4.3 Final Considerations; Chapter 5: Early Exploration; 5.1 Methodological Approach; 5.2 Project Batebit; 5.2.1 Interviews; 5.2.2 Workshops; 5.2.3 Pandiv; 5.2.4 Sandbox Wow; 5.3 Summary; Chapter 6: Proposition; 6.1 Scope and Basis; 6.2 Instrumental Inheritance; 6.2.1 Related Concepts; 6.2.2 Possible Evidence
|
| Abstract
|
:
|
The author presents Probatio, a toolkit for building functional DMI (digital musical instruments) prototypes, artifacts in which gestural control and sound production are physically decoupled but digitally mapped. He uses the concept of instrumental inheritance, the application of gestural and/or structural components of existing instruments to generate ideas for new instruments. To support analysis and combination, he then leverages a traditional design method, the morphological chart, in which existing artifacts are split into parts, presented in a visual form and then recombined to produce new ideas. And finally he integrates the concept and the method in a concrete object, a physical prototyping toolkit for building functional DMI prototypes: Probatio. The author's evaluation of this modular system shows it reduces the time required to develop functional prototypes. The book is useful for researchers, practitioners, and graduate students in the areas of musical creativity and human-computer interaction, in particular those engaged in generating, communicating, and testing ideas in complex design spaces.
|
| Subject
|
:
|
Artificial intelligence.
|
| Subject
|
:
|
Electronic musical instruments-- Design.
|
| Subject
|
:
|
Electronic musical instruments.
|
| Subject
|
:
|
Human-computer interaction.
|
| Subject
|
:
|
Artificial intelligence.
|
| Subject
|
:
|
Electronic musical instruments.
|
| Subject
|
:
|
Human-computer interaction.
|
| Subject
|
:
|
MUSIC-- Musical Instruments-- Piano Keyboard.
|
| Subject
|
:
|
MUSIC-- Printed Music-- Percussion.
|
| Dewey Classification
|
:
|
786.7/6
|
| LC Classification
|
:
|
ML1092
|