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" Hamlet and emotions / "
editors: Paul Megna, Bríd Phillips and R.S. White.
Document Type
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BL
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Record Number
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860159
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Title & Author
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Hamlet and emotions /\ editors: Paul Megna, Bríd Phillips and R.S. White.
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Publication Statement
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Cham, Switzerland :: Palgrave Macmillan,, [2019]
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Series Statement
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Palgrave Shakespeare studies
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Page. NO
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1 online resource
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ISBN
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3030037959
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: 9783030037956
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3030037940
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9783030037949
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Contents
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Intro; Acknowledgements; Contents; Contributors; Prologue to the Omen Coming On R.S. White; Chapter 1 'In a Dream of Passion': Introducing Hamlet and Emotion; Bibliography; Part I 'Between who?' Influences and Inter-texts; Chapter 2 Hamlet and Tragic Emotion; The Player's Speech; A 'Dream of Passion'; 'What's Hecuba to Him, or He to Her?'; Hamlet and Revenge Tragedy; The Mousetrap; Tragic Emotion in Hamlet; Bibliography; Chapter 3 A Conjuration of Patrick: A Legacy of Doubt and Imagining in Hamlet; Seeing and Not-Seeing in the Tractatus de Purgatorio sancti Patricii
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Chapter 15 Shakespeare's Hamlet and Stoppard's Guildenstern: Leap Between Un-Existentialist Anguish and Un-Absurdist HappinessHamlet Leaps; Guildenstern Leaps (and Leaps and Leaps); Conclusion; Bibliography; Chapter 16 Horatio: Loyal Friend of Hamlet and Nutshell; Bibliography; Index
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Chapter 7 Hamlet's TearsForbidding Mourning; Deliquescence; Flesh; Bibliography; Chapter 8 Hamlet's 'Spendthrift Sigh': Emotional Breathing On and Off the Stage; Bibliography; Chapter 9 'Eyes Without Feeling, Feeling Without Sight': The Sense of Sight in Hamlet; Bibliography; Part III 'this quintessence of dust' Character; Chapter 10 Horatio as Author: Storytelling and Stoic Tragedy in Hamlet; I; II; III; IV; Bibliography; Chapter 11 'A King of Shreds and Patches': Claudius, Clothes, Feelings; Bibliography; Chapter 12 'Something After'?: Hamlet and Dread; Bibliography
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Doubt and the Imagination in the Medieval St. Patrick's Purgatory TraditionConclusion; Bibliography; Chapter 4 Fear and Wonder: Shakespeare's Ghost in the Fireside Tradition; I; II; III; IV; Bibliography; Chapter 5 'For by the Image of My Cause, I See / The Portraiture of His': Hamlet and the Imitation of Emotion; I; II; III; Conclusion; Bibliography; Chapter 6 'Each Subtlest Passion, with Her Source and Spring': Hamlet, Sejanus and the Concealment of Emotion; Sejanus and the Emotions of Politics; Hamlet and Sejanus; Bibliography; Part II 'I know not "seems"' Expression and Sensation
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Part IV 'Remember me' Performance and AdaptationChapter 13 Misremembering Hamlet at Elsinore; Remembering as an Emotional Practice; The Motion of Emotions; Syncopated Time, Syncopated Space; Remembering Hamlet in Hamlet Live; Memory Lieux and Milieux; Conclusion; Bibliography; Chapter 14 'Speech Falters Speech Flinches When Horror Lifts a Fist to It': Action, Emotion, and Inertia in Three Hamlet Variations; Gertrude-The Cry; Hamletmachine; When Salome Met Hamlet (A Domestic Tragedy); Bibliography
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Abstract
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This volume bears potent testimony, not only to the dense complexity of Hamlet's emotional dynamics, but also to the enduring fascination that audiences, adaptors, and academics have with what may well be Shakespeare's moodiest play. Its chapters explore emotion in Hamlet, as well as the myriad emotions surrounding Hamlet's debts to the medieval past, its relationship to the cultural milieu in which it was produced, its celebrated performance history, and its profound impact beyond the early modern era. Its component chapters are not unified by a single methodological approach. Some deal with a single emotion in Hamlet, while others analyse the emotional trajectory of a single character, and still others focus on a given emotional expression (e.g., sighing or crying). Some bring modern methodologies for studying emotion to bear on Hamlet, others explore how Hamlet anticipates modern discourses on emotion, and still others ask how Hamlet itself can complicate and contribute to our current understanding of emotion.
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Subject
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Hamlet
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Hamlet
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Shakespeare, William,1564-1616., Hamlet-- Criticism and interpretation.
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Subject
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Emotions in literature.
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Subject
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DRAMA-- English, Irish, Scottish, Welsh.
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Subject
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DRAMA-- Shakespeare.
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Subject
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Emotions in literature.
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Subject
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Hamlet (Shakespeare, William)
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Dewey Classification
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822.3/3
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LC Classification
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PR2807
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Added Entry
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Megna, Paul J.
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Phillips, Bríd
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White, R. S.,1948-
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