| Document Type
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BL
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| Record Number
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860480
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| Main Entry
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Miggiani, Giselle Spiteri
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| Title & Author
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Dialogue writing for dubbing : : an insider's perspective /\ Giselle Spiteri Miggiani.
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| Publication Statement
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Basingstoke, Hampshire :: Palgrave Macmillan,, 2019.
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| Page. NO
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1 online resource :: illustrations
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| ISBN
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3030049663
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: 9783030049669
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3030049655
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9783030049652
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| Bibliographies/Indexes
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Includes bibliographical references and index.
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| Contents
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Intro; Preface; Acknowledgements; Contents; List of Figures; List of Tables; Part I: The Dialogue Writing Practice; A Descriptive Approach; 1: Dialogue Writing Set in Context; 1.1 The Dubbing Process and Main Professional Roles; 1.1.1 Sound Technicians; 1.1.2 Dubbing Directors; 1.1.3 Dubbing Assistants; 1.1.4 Dubbing Actors; 1.1.5 Translators and Dialogue Writers; 1.2 Recording Modus Operandi and Software Tools; 1.2.1 The Bande Rythmo; 1.2.2 Other Software Applications; 1.2.3 Collaborative Dubbing; 1.3 Dialogue Writing: Definition and Terminology; 1.3.1 Synchronies and Constraints
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1.4 Quality Standards1.4.1 Dubbese and Its Seemingly Universal Language Identity; References; Filmography; TV Sitcom; TV Series; Motion Pictures; 2: Bridging Disciplines: Analogies and Applicable Devices; 2.1 Enhanced Creativity and Freedom in a Constrained Context; 2.2 Creative Writing Techniques; 2.3 Classical Poetics and Literary Criticism; 2.3.1 Studium or Ingenium; 2.4 Screenwriting; 2.4.1 From Dialogue Writing to Screenwriting; 2.4.2 Accepting the Notion of Loss; References; Part II: Strategies and Know-How; A Practical Approach; 3: Dialogue Writing Itinerary
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3.1 Establishing a Method3.2 Impersonating the Dubbing Actors; 3.3 The Rhythmic Framework; 3.4 Inserting Dubbing Notations; 3.5 Isochrony; 3.6 Kinesics and Lip Synchronization; 3.7 Working Methodology and Its Impact on the Dialogue; 3.7.1 Cognitive Considerations; 3.8 Readjusting the Language: Self-Revision and Fine-Tuning; 3.9 Workstation Logistics and Speed Efficiency; References; Filmography; TV Series; 4: Dubbing Deliverables; 4.1 Postproduction Material; 4.2 Target Language Scripts; 4.2.1 Loop Segmentation; 4.2.2 Dialogue Segmentation
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4.3 Dubbing Glossaries or Consistency Sheets and Metadata Files4.4 Postproduction Recording Sheet; References; Filmography; Television Series; Motion Pictures; 5: Script Components; 5.1 Breaking Down the Dubbing Script; 5.2 Tempo Markers and Time Codes; 5.3 Dubbing Notations; 5.3.1 A Dubbing Notations Proposal; 5.3.2 Use of Notations: Dubbing Versus Screenwriting; 5.4 Background Noise; 5.5 On-Screen Text or Graphics; 5.6 Front Matter: Heading, Character List, Synopsis, Titles; 5.7 Recaps; 5.8 Headers, Page Numbers, Translator's Notes; References; Other Material; Filmography
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TV SeriesMotion Pictures; 6: Standards and Practices; 6.1 Company Guidelines; 6.2 Numbers, Measurements, Conversions; 6.3 Interjections; 6.4 Spelling and Punctuation; 6.5 Character Allocation; 6.6 Foreign Language, Fictitious Language, Accents; 6.6.1 Identifying a Practical Strategy; 6.7 Songs and Vocal Ditties; 6.8 Language Style and Blacklisted Expressions; 6.9 What Not to Include in the Dubbing Script; References; Online References; Filmography; TV Series; Motion Pictures; Part III: Black Box Revealed; An Analytical Approach; 7: Applied Strategies
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| Abstract
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This book analyses an important phase in the interlingual dubbing process of audiovisual productions: the elaboration of target language scripts for the recording studios. Written by a practitioner in the industry who is also an academic and trainer, it provides practical know-how and guidelines while adopting a scholarly, structural and methodical approach. Supported by an exemplified, analytical and theoretical framework, it is non-language specific and discusses strategies and tricks of the trade. Divided into three parts, the book provides a descriptive, practical and analytical approach to dubbing and dialogue writing. The author analyses scripts drawn from her own professional practice, including initial drafts that illustrate the various transformations of a text throughout the rewriting process. She also provides a 'backstage' perspective, from first-hand experience in recording sessions that provided first-hand knowledge of text manipulation, studio jargon, and the dubbing post production process. This publication will provide a valuable resource for novice dubbing translators and dialogue writers, while offering practitioner insights to scholars and researchers in the field of Audiovisual Translation, Film and Media Studies.
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| Subject
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Dubbing of motion pictures.
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Dubbing of television programs.
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Dubbing of motion pictures.
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Dubbing of television programs.
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FOREIGN LANGUAGE STUDY-- Multi-Language Phrasebooks.
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LANGUAGE ARTS DISCIPLINES-- Alphabets Writing Systems.
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LANGUAGE ARTS DISCIPLINES-- Grammar Punctuation.
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LANGUAGE ARTS DISCIPLINES-- Linguistics-- General.
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LANGUAGE ARTS DISCIPLINES-- Readers.
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LANGUAGE ARTS DISCIPLINES-- Spelling.
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| Dewey Classification
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418.02
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| LC Classification
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P306.93
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