| Document Type
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BL
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| Record Number
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861694
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| Main Entry
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Pedersen, Jesper S., (Jesper Strandgaard),1959-
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| Title & Author
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Technology and Creativity : : Production, Mediation and Evaluation in the Digital Age.
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| Publication Statement
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Cham :: Palgrave Macmillan US,, 2019.
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| Page. NO
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1 online resource (303 pages)
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| ISBN
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3030175669
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: 9783030175665
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9783030175658
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| Notes
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Business Pitches and Entrepreneurial Resource Acquisition
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| Contents
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Intro; Preface; Contents; Notes on Contributors; List of Figures; List of Tables; 1 Technology and Creativity: Production, Mediation and Evaluation in the Digital Age; Introduction; Creative Industries: Creativity at the Center; The Volume; References; 2 Innovators' Acts of Framing and Audiences' Structural Characteristics in Novelty Recognition; Introduction; Novelty and the Act of Framing; Novelty and Internal/External Audiences; Novelty and Audience Evaluative Heterogeneity; Discussion; Implications for Theory; Implications for Practice
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Novelty Framing and Social Audiences in the Era of DigitalizationConclusion; References; 3 The Alchemy of Painting: How the Technology of Oil Paint Transmuted Art; Technology in the Creative Industries; Oil Paint: Affordances; Van Eyck: Art Mirrors Reality; Venice: Oil, Canvass and a Looser Brush; Discussion; References; 4 Industry or Field? The Value of the Field Construct to Study Digital Creative Industries; Introduction; The Conceptualization of Creative Industries as 'Industries'; Digital Technologies and the Blurring of Creative Industries' Boundaries and Roles
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Publicisation of a Tasting Procedure to Underpin Expert EvaluationOpposition to Sweetness, Fat and Thickness: Genesis and Maintenance of a Single Set of Quality Standards; Producers' Attention to the Guide: Disputed, Dispensable and Malleable Ratings; Denigration of a Procedure; Withdrawal After a Low Rating; Working to Transform the Ratings: Used, but Detached from Their Benchmark; Conclusion; Bibliography; 7 Alone or in Concert? Creative Entrepreneurs and the Role of Multiple Institutional Logics in Crowdfunding Pitches; Introduction; Theoretical Orientation
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The Political Dimension of Art in Fostering Critical, Democratic DialoguesLiberating Promises of the Internet; Artnode and the Dream of Cyberspace as "Other"; The Dream of a Transformative "Free Space" for Artists and Their Art; The Dream of an Antagonist Space Reinforcing "Critical Voices"; Discussion: What Critical Potential Could We Hope for?; Conclusion; Literature; 6 Evaluation and Producers' Attention to Ratings in the Chocolate Confectionery Markets; Introduction; Behind the Chocolate Bars: Rating System and Quality Standards
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The Value of the Field Construct for Studying Creative Industries and Digital TechnologiesField Boundaries Are Defined Relationally Around Activities or Practices; Actors' Positions Are Defined Relationally Vis-à-Vis Each Other; Field Actors Are Linked by Multiple Symbolic and Material Relations; Concluding Remarks; Contributions and Future Research; References; 5 The Internet as Liberating Space for the Visual Arts: Political Hopes and Sociological Realities; Introduction; Art and the Internet: A Hopeful Synergy to Evade Convention?; The Sociological Entanglement of the Visual Arts
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| Subject
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Cultural industries-- Technological innovations.
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| Subject
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Digital media-- Economic aspects.
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| Dewey Classification
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338.477
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| LC Classification
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HD9999.C9472
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| Added Entry
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Khaire, Mukti.
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Slavich, Barbara.
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