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" Viral dramaturgies : "
Alyson Campbell, Dirk Gindt, editors.
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BL
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864175
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| Title & Author
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Viral dramaturgies : : HIV and AIDS in performance in the twenty-first century /\ Alyson Campbell, Dirk Gindt, editors.
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| Publication Statement
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Cham, Switzerland :: Palgrave Macmillan,, [2018]
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, ©2018
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1 online resource
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| ISBN
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331970317X
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: 9783319703176
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3319703161
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9783319703169
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| Bibliographies/Indexes
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Includes bibliographical references and index.
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| Contents
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Intro; Acknowledgments; Contents; Notes on Contributors; List of Figures; Section 1: Introduction; Chapter 1: Viral Dramaturgies: HIV and AIDS in Performance in the Twenty-First Century; The Remit of the Book; Viral Dramaturgies; Hegemonic and Marginalised Narratives; A 'Blue' Time and Place?; Cultural Amnesia and Nostalgia; Criminalisation of HIV Non-disclosure; Stigma and the Ontology of Performance; The Structure of the Book; In Conclusion; References; Section 2: Women's Voices and Experiences; Chapter 2: GL RY: A (W)hole Lot of Woman Trouble. HIV Dramaturgies and Feral Pedagogies
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From Being 'Counted. With. Letters' to Self-RepresentationLife Continues with HIV; Women Living with HIV: Our Needs, Our Care, Our Ambitions; A Different Space and Form; Reciprocity and Final Thoughts; References; Section 3: Generations, Memories and Temporalities; Chapter 5: 'Still (Mighty) Real': HIV and AIDS, Queer Public Memories, and the Intergenerational Drag Hail; 2boys.tv: Tightrope; Zee Zee Theatre: Tucked and Plucked; Coda: 'Bodies in Alliance'; References; Chapter 6: AIDS Memorialisation: A Biomedical Performance; Engineering a Pharmaceutical War Monument
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Scarlot Harlot (USA), Empower Foundation (Thailand) and Debby Doesn't Do It for Free (Australia), Collaborative Theatre Production, Forum XXX, Montreal, Canada 2005'Yapping Out Loud, ' Solo Theatre Production, Mirha-Soleil Ross, 2002, Buddies in Bad Times Theatre, Toronto, Canada; Sex Worker Protest, Yeongdeungpo South Korea, 2011; Conclusion; References; Chapter 4: 'The Press/Supress/Our Stories of Happiness/They Choose to Define Us/As "Suffering Headliners"': Theatre-Making with Women Living with HIV; Women Living With HIV in the UK; Theoretical Framework; The Project; Our Practice
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The Hole in HIV Representation and My PositionalityDramaturgies of HIV and AIDS: A Paradox; GL RY's Dramaturgy: Conversation and 'Feral Neighbours'; Themes, Aims, Content; Conversation; Queer Kinship and Feral Pedagogies; Conclusion; References; Interviews; Chapter 3: Staging Decriminalisation: Sex Worker Performance and HIV; Ourselves; Introduction; Stigma; 'Stigma', Despo Debby, Mixed Media, Debby Doesn't Do It for Free2 Exhibition, 2015; Pathologisation; Honey Bees in the Twentieth Century, Empower Foundation, Thailand
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The Single Antiretroviral, International AIDS Conference 2004, Bangkok, ThailandPrEP on Trial; Protests Against Gilead Sciences, International AIDS Conference, Bangkok, Thailand, 2004; Women's Network for Unity, Phnom Penh, Cambodia, 2006; PrEP Today; 'Condoms as Evidence' Reality Theatre, Empower Foundation, AIDS2014; 'Voluntary Compulsory Testing' Reality Theatre, Empower Foundation, International Congress on AIDS in Asia and the Pacific (ICAAP), Bangkok, Thailand 2013 and AIDS2014; Migration and Anti-trafficking Responses; 'Labour Sans Frontiers, ' 2004: Present
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| Abstract
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"This book analyses the impact of HIV and AIDS on performance in the twenty-first century from an international perspective. It marks a necessary reaffirmation of the productive power of performance to respond to a public and political health crisis and act as a mode of resistance to cultural amnesia, discrimination and stigmatisation. It sets out a number of challenges and contexts for HIV and AIDS performance in the twenty-first century, including: the financial interests of the pharmaceutical industry; the unequal access to treatment and prevention technologies in the Global North and Global South; the problematic division between dominant (white, gay, urban, cis-male) and marginalised narratives of HIV; the tension between a damaging cultural amnesia and a potentially equally damaging partner 'AIDS nostalgia'; the criminalisation of HIV non-disclosure; and, sustaining and sustained by all of these, the ongoing stigmatisation of people living with HIV. This collection presents work from a vast range of contexts, grouped around four main areas: women's voices and experiences; generations, memories and temporalities; inter/national narratives; and artistic and personal reflections and interventions."--
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AIDS (Disease) and the arts.
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Medicine in the performing arts.
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Performance awards.
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Performing arts-- History-- 20th century.
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Performing arts-- Social aspects.
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Theater and society.
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AIDS (Disease) and the arts.
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Gays in the performing arts.
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HIV infections.
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Medical drama.
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PERFORMING ARTS-- Reference.
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Performing arts-- Social aspects.
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Performing arts.
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Medicine in the Arts.
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Acquired Immunodeficiency Syndrome.
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HIV Infections.
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| Dewey Classification
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791.0877
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| LC Classification
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NX180.A36V57 2018
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PN1590.S6
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| Added Entry
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Campbell, Alyson
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Gindt, Dirk,1975-
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