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BL
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| Record Number
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864327
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| Main Entry
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Emmelhainz, Irmgard
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| Title & Author
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Jean-Luc Godard's political filmmaking /\ Irmgard Emmelhainz.
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| Publication Statement
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New Delhi, India :: Palgrave Macmillan,, [2019]
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| Page. NO
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1 online resource (1 volume)
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| ISBN
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3319720953
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: 9783319720951
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3319720945
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9783319720944
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| Contents
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Intro; Acknowledgments; Contents; Chapter 1: Introduction; Chapter 2: Who Speaks Here? Jean-Luc Godard's 'Militant Filmmaking' (1967-74); Jean-Luc Godard's Avant-Garde; Art, Realism, Spectacle: Aragon andDebord; Committed Positions: André Breton andJean-Paul Sartre; Maoism andtheDziga Vertov Group; Materialist Filmmaking andMaterialist Fictions; Realism, Materialist Filmmaking andMaterialist Fictions; The Capture ofSpeech andLe Vent d'Est; Guernica andIci et Ailleurs, 1974; Bibliography; Chapter 3: Elsewhere: Dialogue ofPoints ofView: Jean-Luc Godard andTiersmondisme
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Chapter 7: Conclusion: TheLegacy ofMilitant Filmmaking or How toRise Above Everything That Is Dying?Bibliography; Index
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From Speaking intheName ofOthers toaSimple ConversationShot/Reverse-Shot; Annihilation, the"Pure Past" andPhaedra; The Memory oftheFilm; Apology oftheVanquished fortheirLoss; Our Music; Bibliography; Chapter 6: Conditions ofVisuality andMaterialist Film at theTurn oftheTwenty-First Century; Dialectical Materialist Film-making in Film Socialisme; The Exhaustion oftheImaginary; Sensible Memory inFilm Socialisme; Nos Humanités; Adieu au Langage or Film asMetaphor; Bibliography
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Technique andVideo: AnEpistemology ofSeeingBrand Images; Perception, History andMontage; Appropriation, Stoppage, Défilé; Passion andLe Rapport Darty: Materialist Filmmaking, Encore; Bibliography; Chapter 5: Representing theUnrepresentable: Restitution, Archive, Memory; Witness-Images, Alienated Subjectivities andRestitution; Representation andtheShoah: Forbidden Images, Forbidden Montage, Forbidden Testimony; The Wars ofAnnihilation/Memory andResistance AgainstWar andtheReign ofFear; The Image Has Been Covered by Text
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The Third World inEuropean EyesGodard's Tiersmondisme; Radical Tourism andthePalestinian Revolution: Jusqu'à la Victoire; From Jusqu'à la Victoire toIci et Ailleurs; Sonimage andAnxiety ofBlindness; Sonimage, theCarnation Revolution andtheNewly Independent Mozambique; Comment Changer d'Image/Montrer une Image du Changement?; Bibliography; Chapter 4: Technique andMontage: Saying, Seeing andShowing theInvisible; Materialist Filmmaking andSpectacle; Toward New Forms ofthePolitical; How toSee andtoProvide A Means to See? Cinematic Voice andtheRegime ofEnunciation
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| Abstract
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This book offers an examination of the political dimensions of a number of Jean-Luc Godard?s films from the 1960s to the present. The author seeks to dispel the myth that Godard?s work abandoned political questions after the 1970s and was limited to merely formal ones. The book includes a discussion of militant filmmaking and Godard?s little-known films from the Dziga Vertov Group period, which were made in collaboration with Jean-Pierre Gorin. The chapters present a thorough account of Godard?s investigations on the issue of aesthetic-political representation, including his controversial juxtaposition of the Shoah and the Nakba. Emmelhainz argues that the French director?s oeuvre highlights contradictions between aesthetics and politics in a quest for a dialectical image. By positing all of Godard?s work as experiments in dialectical materialist filmmaking, from 'Le Petit soldat' (1963) to 'Adieu au langage' (2014), the author brings attention to Godard?s ongoing inquiry on the role filmmakers can have in progressive political engagement.
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| Subject
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Godard, Jean-Luc,1930-Criticism and interpretation.
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Godard, Jean-Luc,1930-
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| Subject
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Politics in motion pictures.
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PERFORMING ARTS-- Reference.
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| Subject
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Politics in motion pictures.
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| Dewey Classification
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791
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791.43/6581
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| LC Classification
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PN1995.9.P6E45 2019
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