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" Experimental and expanded animation : "
Vicky Smith, Nicky Hamlyn, editors.
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BL
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| Record Number
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864556
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| Title & Author
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Experimental and expanded animation : : new perspectives and practices /\ Vicky Smith, Nicky Hamlyn, editors.
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| Publication Statement
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Cham :: Palgrave Macmillan,, 2018.
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| Series Statement
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Experimental film and artists' moving image
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| Page. NO
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1 online resource (275 pages)
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| ISBN
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3319738739
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: 9783319738734
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3319738720
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9783319738727
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| Bibliographies/Indexes
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Includes bibliographical references and index.
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| Contents
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Intro; Foreword; Contents; Notes on Contributors; List of Figures; Introduction; A Context for Experimental Animation; A Context for Expanded Cinema; Bridging Experimental Animation and Expanded Cinema; The Growth in Expanded Cinema and the Themes Explored Here; Summary; References; Lines and Interruptions in Experimental Film and Video; Movement and Vectors; Linear Cinema; Traces and Threads; Vector and Modular; Segmentation in Video; References; Performing the Margins of the New; Recent Australian Analogue Practice; The Technical Image; Origins; Subjugated History's Return; Guy Sherwin
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Bruce McClurePope/Rodgers/Fletcher; Conclusion; References; Twenty-First Century Flicker: Jodie Mack, Benedict Drew and Sebastian Buerkner; Introduction; Flicker Films and Flicker Effects; Pulse; Proto-Cinematography; Jodie Mack; Benedict Drew; Sebastian Buerkner; Conclusion; References; Experimental Time-Lapse Animation and the Manifestation of Change and Agency in Objects; Introduction; Animated Time-Lapse; New Perspectives: Experimental Film and Animation; 1970s Experimental Single-Frame Landscape Film; Eco-Aesthetics and Hyper-Objects; Space-Lapse in Proximity; Nicky Hamlyn's Gasometers
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Critical Cuteness // The CutCuteness and Agency; Cuteness and Control; References; The Animated Female Body, Feminism(s) and 'Mushi'; Into the Doll's House: Libido and Desire in Asparagus; Tabaimo: Intimacy, Abjection and 'Mushi'; From the Personal Is Political to the Politics of the Everyday: Rose Bond and Marina Zurkow; Miwa Matreyek: Performing the Animated Female Body; Conclusion; References; "Coming to Life" and Intermediality in the Tableaux Vivants in Magic Mirror (Pucill, 2013) and Confessions to the Mirror (Pucill, 2016); Prologue; Coming to Life
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Eco-Aesthetics and VisibilityConclusion; References; Analogon: Of a World Already Animated; References; Emptiness Is Not 'Nothing': Space and Experimental 3D CGI Animation; Presentation of Digital; Space and Cultural Psyche; Hypothesis for Space; Conceptualisation and Presentation of Space Within 3D CGI Animation; The Investigation of Space Within 3D CGI; CGI and Subjective/Objective Space; Defining Borders for Gathering Place, and Emptiness and the Void; The Opposition of the Edge: Enclosing and Excluding Boundaries; Dissolution of Boundaries and the Expansion of Spatial Borders; Thelwall-2
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Thelwall Animations as FragmentedSummary; References; Inanimation: The Film Loop Performances of Bruce McClure; References; Re-splitting, De-synchronizing, Re-animating: (E)motion, Neo-spectacle and Innocence in the Film Works of John Stezaker; References; Cut to Cute: Fact, Form, and Feeling in Digital Animation; Production; Installation; Sound; Complicity and Labour Politics; Animation Without Animators; Gender and Feminism; Irony, Humor, and Fake News; The Aesthetics of Control; Re-enactment, Forensics, and the 'Real'; Appropriation v. Animation; Contemporary Art and the Animated Turn
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| Abstract
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This book discusses developments and continuities in experimental animation that, since Robert Russet and Cecile Starr?s 'Experimental Animation: Origins of a New Art' (1976), has proliferated in the context of expanded cinema, performance and live?making? and is today exhibited in galleries, public sites and online. With reference to historical, critical, phenomenological and inter-disciplinary approaches, international researchers offer new and diverse methodologies for thinking through these myriad animation practices. This volume addresses fundamental questions of form, such as drawing and the line, but also broadens out to encompass topics such as the inter-medial, post-humanism, the real, fakeness and fabrication, causation, new forms of synthetic space, ecology, critical re-workings of cartoons, and process as narrative.
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| Subject
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Animation (Cinematography)
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Animation (Cinematography)
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| Subject
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ART-- Film Video.
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PHOTOGRAPHY-- Techniques-- Cinematography Videography.
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| Dewey Classification
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777/.7
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| LC Classification
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TR897.5
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| Added Entry
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Hamlyn, Nicky
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Smith, Vicky, (Animator)
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