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BL
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| Record Number
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865246
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| Title & Author
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The precarious in cinemas of the Americas /\ Constanza Burucúa, Carolina Sitnisky, editors.
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| Publication Statement
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Cham, Switzerland :: Palgrave Macmillan,, [2018]
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| Series Statement
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Global cinema
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| Page. NO
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1 online resource
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| ISBN
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3319768077
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: 9783319768076
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3319768069
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9783319768069
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| Bibliographies/Indexes
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Includes bibliographical references and index.
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| Contents
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Intro; Foreword; Acknowledgements; Contents; Editors and Contributors; List of Figures; Chapter 1 Introduction: Forms of the Precarious in the Cinemas of the Americas; Works Cited; Part I Self-reflexive Considerations on the Precarious; Chapter 2 Beyond Documentary?: Archives, Absences, and Rethinking Mexican "Nonfiction" Film, c. 1935-1955; Introduction; Charting Terrain: The Precariousness of (Documentary) Film Scholarship; Embracing Loss: The Precariousness of the Film Medium; Works Cited; Chapter 3 Precarious Images: Media and Historicity in Pablo Larraín's No
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A King for PatagoniaA Celebration of Creativity; Self-reflexivity; Conclusion; Works Cited; Part II On Cultural Policies, Legislations and Funding; Chapter 6 Narrating Precariousness in Cuba Beyond Havana and the ICAIC: The Case of Televisión Serrana's Ariagna Fajardo and ¿A dónde vamos?; Introduction; Examining Precariousness Through Televisión Serrana; Redefining Rural Representations; ¿A dónde vamos?; Conclusion; Works Cited; Chapter 7 Precariousness in Contemporary Venezuelan Filmmaking: Pelo malo and Brecha en el silencio; Introduction
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Chapter 9 Portfolio Careers and a New Common Cause: The Conditions for Screen Workers in PeruIntroduction; The Politics of Film Legislation; Neoliberal Reforms and Withdrawal of Resources; Political Turmoil: Fragmentation and New Opportunities; Cinema Legislation and the New Millennium: Fragmentation and Suspicion; Instability, Uncertainty, Opportunity; Works Cited; Chapter 10 Rethinking Contemporary Ecuadorian Cinema; Introduction; State of the Art: Growth and Precariousness; Sicarios manabitas: The Precarious Other; Creativity and Precarity; Conclusion; Works Cited
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Sociopolitical Context and Developments in Cinema's Legislation and InfrastructureProduction and Reception in the Cases of Pelo malo and Brecha en el silencio; The Aesthetics and Politics of Pelo malo and Brecha en el silencio; Conclusion; Works Cited; Chapter 8 The Politics of Precariousness and Resilience in Contemporary Colombian Films; Cinema in the Colombian Context; Legislation and the Multicultural Paradigm; Local and Global Trajectories; A Focus on Loss, Historically Situated; Three Films on Precariousness; Works Cited
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Video in the Digital LandscapeNo-Presenting the Past; Works Cited; Chapter 4 The Future's Reverse: Dystopia and Precarity in Adirley Queirós's Cinema; Introduction: City and Dystopia in Brazilian Contemporary Cinema; Brasília and Ceilândia, Paradoxes of Utopia; A cidade é uma só?: Deviating from the Archive, Reinventing the Present; Branco sai, preto fica-Memory Against Utopia; Final Considerations; Works Cited; Chapter 5 The Never-Ending Movie: Precariousness and Self-reflexivity in Contemporary Argentine Cinema; Introduction; Conceptualizations of the Precarious and Creative Labor
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| Subject
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Motion pictures-- Social aspects-- Latin America.
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Motion pictures-- Latin America.
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Precarious employment-- In motion pictures.
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Motion pictures-- Social aspects.
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Motion pictures.
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PERFORMING ARTS-- Reference.
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| Subject
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Latin America.
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| Dewey Classification
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791.43/098
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| LC Classification
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PN1993.5.L3P74 2018
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| Added Entry
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Burucúa, Constanza
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Sitnisky, Carolina
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