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BL
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| Record Number
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873303
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| Main Entry
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Fulcher, Jane F.
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| Title & Author
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Renegotiating French identity : : musical culture and creativity in France during Vichy and the German occupation /\ Jane F. Fulcher.
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| Publication Statement
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New York, NY :: Oxford University Press,, [2018]
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| Page. NO
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1 online resource (xii, 490 pages)
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| ISBN
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0190681519
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: 0190681527
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: 0190681535
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: 9780190681517
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: 9780190681524
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: 9780190681531
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9780190681500
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| Bibliographies/Indexes
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Includes bibliographical references and index.
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| Contents
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Cover; Half title; Renegotiating French Identity; Copyright; Dedication; Contents; Acknowledgments; Introduction: The new historiography of Vichy; Initial new directions in larger studies of Vichy culture; New issues: Dual surveillance, the complex bureaucratic matrix, and the cultural field; Vichy's musical culture and the still looming questions: What did result, when, and where?; Concomitant theoretical issues: How were musical works inscribed, framed, and read?; Public and creative responses: The question of collective and individual French identity
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The role of the Germans and their interest in concerts and in the musical pressGerman and French broadcasts of classical concerts; The Germans and the Paris Conservatoire; The Germans and intervention in French recordings; Vichy's own constraints and shifting goals in music; Vichy "experts" in music and the case of Jacques Rouché; Another Vichy "expert"-Alfred Cortot; Vichy and its goals in recordings; Vichy's corporate organization of the musical profession; Vichy and state commissions in music; The case of the Opéra: Rouché's initial latitude but growing Vichy and German pressures
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Vichy's interest in the Conservatoire and its regional branchesSubversion within institutions and performance venues; The development of the musical resistance and its response both to the Germans and to Vichy; 2. Reinscribing, framing, and subverting an operatic icon: Debussy's Pelléas et Mélisande; The double advantage of both Berlioz and Debussy; Pelléas: Its nature, style, and the initial French reception of the performance in 1940; Désormière's "classic" interpretation in a still relatively autonomous musical field
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Vichy's negotiations of French cultural identityVichy and the question of the French national heritage, or cultural tradition; The limits allowed by the Germans in the reconfiguration of French national identity; Vichy's cultural institutions and their complex, divergent, evolving mandates; A consistent Vichy cultural agenda?; Beyond conceptions of a Vichy patriotic "double game"; A Vichy musical program? Its evolving aims and the musical field; The roles of ministers of national education and of the secrétaire générale in music
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What constituted resistance in music, and what kinds of innovations did it foster?Reformulating older questions and posing new ones; 1. The essential political and institutional background; Beyond a monolithic view of Vichy and its doctrine of the Révolution nationale; Vichy and its relation to the Germans; Vichy's brand of patriotism and nationalism; Beneath the apparent traditionalism; The evolution of the regime and the significant markers; German and Vichy repression and the development of the Resistance; Vichy's reconstruction of French identity
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| Abstract
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In Renegotiating French Identity, Jane Fulcher addresses the question of cultural resistance to the German occupation and Vichy regime during the Second World War, specifically by addressing the role of music.
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| Subject
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Music-- Political aspects-- France-- History-- 20th century.
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Music-- France-- 20th century-- History and criticism.
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MUSIC-- Genres Styles-- Classical.
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Music-- Political aspects.
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MUSIC-- Reference.
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| Subject
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Music.
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| Subject
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France, History, German occupation, 1940-1945.
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| Subject
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France.
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| Dewey Classification
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780.944/09044
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| LC Classification
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ML270.5.F87 2018
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