|
" Advanced Schenkerian Analysis : "
Document Type
|
:
|
BL
|
Record Number
|
:
|
874334
|
Main Entry
|
:
|
Beach, David.
|
Title & Author
|
:
|
Advanced Schenkerian Analysis : : Perspectives on Phrase Rhythm, Motive, Form.
|
Publication Statement
|
:
|
Hoboken :: Taylor & amp ;Francis,, 2012.
|
Page. NO
|
:
|
1 online resource (337 pages)
|
ISBN
|
:
|
0203122712
|
|
:
|
: 9780203122716
|
Contents
|
:
|
Cover; Advanced Schenkerian Analysis; Copyright; Contents; List of Musical Examples; List of Figures; Preface; Acknowledgments; Part I: Concepts and Terminology; 1. Schenker's Conception of Musical Structure: An Overview; Introduction; Three Basic Premises; Melodic Motion by Step; Resolution of the Dissonant Seventh; (Harmonic) Scale Step; Summary; The Concept of Structural Levels: A Practical Demonstration; Motive and Structural Levels; Review: Terminology and Definitions; 2. The Phrase and Parallel Phrases; The Phrase; Antecedent-Consequent Phrases; Suggested Assignments; Phrases.
|
|
:
|
Parallel Phrases3. Phrase Rhythm and Phrase Expansion; Phrase Rhythm; Phrase Expansion; Expanded Phrases; Antecedent-Expanded Consequent; Suggested Assignments; 4. Contrasting Phrases; Formal Type: a b; Formal Type: a a2 b a2 ; Formal Type: a b a2 Suggested Assignments; 5. Ternary (Rounded Binary) Form; Structure vs. Formal Design; Analyses; Haydn, St. Anthony Chorale; Chopin, Mazurka Op. 7, No. 2, 1-32; Schubert, Impromptu Op. 142, No. 2, 1-46; Haydn, Symphony No. 103, Menuet; Haydn, Andante in F Minor; Suggested Assignments; Summary and Review; Structural Levels.
|
|
:
|
Schumann, "Waldesgespräch," Liederkreis, Op. 39 (Eichendorff)Brahms, "Immer leiser wird mein Schlummer," Op. 105, No. 2 (Lingg); Suggested Assignments; Schenker's Publications; Notes; Index: Names and Terms; Index: Musical Works.
|
|
:
|
Specific Techniques of Voice LeadingElements of Formal Design; Part II: Applications; 6. Baroque One-Part and Two-Part Forms (Bach); One-Part Form; Prelude in C Minor, WTC I; Prelude in A Minor, WTC I; Suggested Assignments; Binary Form; Cello Suite I, Sarabande; Violin Partita I, Sarabande; Suggested Assignments; French Suite VI, Sarabande; Suggested Assignment; 7. Ternary Form; Extended Rounded Binary; Mozart, Piano Sonata K. 280 (II); Schubert, String Quartet in A Minor (D. 804), Menuetto; Suggested Assignments; A B A2 Beethoven, Piano Sonata Op. 7 (II); Schubert, Impromptu Op. 90, No. 3.
|
|
:
|
Suggested Assignment8. Sonata Form 1; Introduction; Structural Prototypes; Major Keys; Minor Keys; Analyses; Mozart, Piano Sonata K. 280 (I); Mozart, Piano Sonata K. 280 (III); Beethoven, Piano Sonata Op. 10, No. 1 (I), Exposition; Suggested Assignments; 9. Sonata Form 2: Motivic Development; Introduction; Analyses; Mozart, String Quartet in F, K. 590 (I), excerpts; Beethoven, Piano Sonata Op. 110 (I); Suggested Assignment; 10. Music and Text; Analyses; Mozart, "Dies Bildnis ist bezaubernd schön," The Magic Flute (Schikaneder); Schubert, "Der Neugierige," Die schöne Müllerin (Müller).
|
Abstract
|
:
|
Advanced Schenkerian Analysis: Perspectives on Phrase Rhythm, Motive, and Form is a textbook for students with some background in Schenkerian theory. It begins with an overview of Schenker's theories, then progresses systematically from the phrase and their various combinations to longer and more complex works. Unlike other texts on this subject, Advanced Schenkerian Analysis combines the study of multi-level pitch organization with that of phrase rhythm (the interaction of phrase and hypermeter), motivic repetition at different structural levels, and form. It also contains analytic graphs of.
|
Dewey Classification
|
:
|
781.1
|
LC Classification
|
:
|
MT6.B294 A38 2012
|
| |