| Document Type
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BL
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| Record Number
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876975
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| Title & Author
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Race and the revolutionary impulse in The Spook Who Sat by the Door /\ edited by Michael T. Martin, David C. Wall, and Marilyn Yaquinto.
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| Publication Statement
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Bloomington, Indiana :: Indiana University Press,, [2018]
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| Series Statement
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Studies in the Cinema of the Black Diaspora
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| Page. NO
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1 online resource
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| ISBN
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025303180X
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: 9780253031808
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9780253031754
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| Bibliographies/Indexes
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Includes bibliographical references and index.
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Includes Filmography: pages 216-217.
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| Contents
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Introduction: The spook who sat by the door / Michael T. Martin and David Wall -- Writer/producer's statement: the making of The spook who sat by the door / Sam Greenlee -- "[D]uality is a survival tool. it's not a disease": interview with Sam Greenlee on The spook who sat by the door / Michael T. Martin and David C. Wall -- Cinema as political activism: contemporary meanings in The spook who sat by the door -- Marilyn Yaquinto -- Persistently displaced: situated knowledges and interrelated histories in The spook who sat by the door / Samantha N. Sheppard -- Subverting the system: the politics and production of The spook who sat by the door / Christine Acham -- The spook who sat by the door, screenplay / Sam Greenlee and Melvin Clay.
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| Subject
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African Americans in motion pictures.
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Race relations in motion pictures.
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Racism in motion pictures.
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African Americans in motion pictures.
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PERFORMING ARTS-- Film Video-- History Criticism.
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PERFORMING ARTS-- Reference.
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| Subject
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Race relations in motion pictures.
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Racism in motion pictures.
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| Subject
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Spook who sat by the door (Motion picture)
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| Dewey Classification
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791.43/72
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| LC Classification
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PN1997.S653R33 2018
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| Added Entry
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Martin, Michael T.
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Wall, David C.
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Yaquinto, Marilyn
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Greenlee, Sam,1930-2014.
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