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" Welcome to the jungle : "


Document Type : BL
Record Number : 877693
Main Entry : Mercer, Kobena,1960-
Title & Author : Welcome to the jungle : : new positions in Black cultural studies /\ Kobena Mercer.
Publication Statement : New York :: Routledge,, 1994.
Page. NO : viii, 339 pages :: illustrations ;; 23 cm
ISBN : 0415906342
: : 0415906350
: : 9780415906340
: : 9780415906357
: 9781135204778
Bibliographies/Indexes : Includes bibliographical references (pages 325-333) and index.
Contents : Introduction: Black Britain and the Cultural Politics of Diaspora -- 1. Monster Metaphors: Notes on Michael Jackson's Thriller -- 2. Diaspora Culture and the Dialogic Imagination: The Aesthetics of Black Independent Film in Britain -- 3. Recoding Narratives of Race and Nation -- 4. Black Hair/Style Politics -- 5. Black Masculinity and the Sexual Politics of Race. True Confessions / Kobena Mercer and Isaac Julien. Racism and the Politics of Masculinity. AIDS, Racism and Homophobia. Engendered Species -- 6. Reading Racial Fetishism: The Photographs of Robert Mapplethorpe. Imaging The Black Man's Sex (1986). Skin Head Sex Thing: Racial Difference and the Homoerotic Imaginary (1989) -- 7. Dark & Lovely: Black Gay Image-Making -- 8. Black Art and the Burden of Representation -- 9. Welcome to the Jungle: Identity and Diversity in Postmodern Politics -- 10. "1968": Periodizing Politics and Identity.
Abstract : Welcome to the Jungle brings a black British perspective to the critical reading of a wide range of cultural texts, events and experiences arising from volatile transformations in the politics of ethnicity, sexuality and "race" during the 1980s. The ten essays collected here examine forms of cultural expression in black film, photography and visual art exerging with a new generation of black British artists, and interprets this prolific creativity within a sociological framework that reveals fresh perspectives on the bewildering complexity of identity and diversity in an era of postmodernity. Kobena Mercer documents a wealth of insights opened up by the overlapping of Asian, African and Caribbean cultures that constitute Black Britain as a unique domain of diaspora. As a result of the turbulent displacements of the 1980s, new forms of hybrid identity came out of the margins while others were progressively de-centered. Looking at the United States and Britain as societies of the black diaspora, ambiguous manifestations of this dynamic are critically examined across a variety of surfaces from Michael Jackson's ethnic androgyny to the cut and mix profusion of post-essentialist sensibility expressed in the medium of black hairstyles.
Subject : African American arts-- 20th century.
Subject : African Americans-- Race identity.
Subject : Arts, Black-- Great Britain-- 20th century.
Subject : Arts, British-- 20th century.
Subject : Blacks-- Race identity-- Great Britain.
Subject : 20.05 art in relation with other areas of culture: general.
Subject : African American arts.
Subject : African Americans-- Race identity.
Subject : Arts, Black.
Subject : Arts, British.
Subject : Blacks-- Race identity.
Subject : Kultur
Subject : Schwarze
Subject : faji identitás-- afro-amerikaiak.
Subject : faji identitás-- négerek-- Nagy-Britannia.
Subject : művészet-- afro-amerikai-- 20. sz.
Subject : művészet-- néger-- Nagy-Britannia-- 20. sz.
Subject : Blacks.
Subject : Cultural identity.
Subject : Great Britain.
Subject : Großbritannien
Subject : Schwarze.
Subject : United Kingdom of Great Britain and Northern Ireland.
Subject : United States.
Subject : USA
Subject : USA.
Dewey Classification : ‭305.896/041‬
LC Classification : ‭NX512.3.A35‬‭M47 1994‬
NLM classification : ‭20.05‬bcl
: ‭HU 1728‬rvk
: ‭LH 61100‬rvk
: ‭LO 94036‬rvk
: ‭MS 3450‬rvk
copyhttps://lib.clisel.com/site/catalogue/877693
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